This transcript was automatically generated and might contain errors.

[0:04] Walt Mendez: You've reached the Dinah Levine talent agency. If you're hearing this message, we're experiencing higher than normal call volumes. Please listen closely to the following options. For Dinah Levine's office, press one. For Walter Mendez, press two. For media inquiries, press three. For the general mailbox, press zero.

[0:23] Walt Mendez: Hi.

[0:25] Tegan: Your number didn't come up.

[0:26] Walt Mendez: Because you wouldn't have answered.

[0:28] Tegan: Kidd. Sounds like things are going really well over there.

[0:32] Walt Mendez: They're going. It's kind of insane.

[0:34] Tegan: You have a phone tree. Fancy.

[0:36] Walt Mendez: I found an app. What can I do for you, Tegan?

[0:38] Tegan: I saw the deadline article about you. You're a legend. I mean I'm jealous. Can I say that to my protege?

[0:46] Walt Mendez: Protege. You've done nothing for me except steal my clients, my boyfriend, and my laptop.

[0:50] Tegan: So does that mean I shouldn't put you down as a reference on LinkedIn? Are things not going well at Vibe?

[0:55] Walt Mendez: I want to go out on my own. Like Dinah did. And I want to do it with you.

[1:00] Tegan: What?

[1:01] Walt Mendez: Let's team up. We'd be great together. You know it.

[1:05] Tegan: Why would I want to work with you? You've been horrible to me.

[1:07] Walt Mendez: Which is exactly why you need me. I'll do everything you don't have the balls for. You love being the nice guy. I get it. You can be nice, and I'll be the bitch.

[1:18] Tegan: I'm not sure that I've thought about this a lot. I have a business plan. We don't even need an office. You just need your phone and your life.

[1:26] Walt Mendez: I'm sorry, that is never going to happen. Now, if you'll excuse me, I gotta go deal with the FBI. I can't believe I just said that.

[1:34] Walt Mendez: All right. You want the truth? Here's the truth. I got fired. When we lost Kirk and then Noah, someone had to take the ball.

[1:44] Tegan: Point is I need a job. You don't think Dinah would have me back, do you?

[1:49] Walt Mendez: You did betray her in just about every way possible.

[1:52] Tegan: True. But I did it poorly. And I learned my lesson. Which should give her a degree of confidence that I'm not gonna do it again.

[2:01] Walt Mendez: Tegan, come on. I know I'll have to go back to being an assistant. I'm 100% okay with that.

[2:07] Tegan: You know, you still haven't actually apologized.

[2:09] Walt Mendez: I thought that was implicit. What is this? Nursery school? You know I'm remorseful. You need to hear the words?

[2:15] Tegan: Might be a good start.

[2:16] Walt Mendez: I'm sorry, okay? I am. And not just because I need something from you, even though I do need something from you, but sorry.

[2:27] Tegan: Goodbye, Tegan. Let me know what she says.

[2:31] Amanda: Hey, boss. It rang like five times. Who are you on the other line with?

[2:36] Walt Mendez: Just someone looking for work. I got rid of him. One deadline article, and he thinks he's Swifty Lazar.

[2:41] Amanda: Who?

[2:42] Walt Mendez: Oh. Listen, don't get a big head. I come back Monday.

[2:45] Amanda: Does that mean I have to move out of your office?

[2:47] Walt Mendez: Very funny, mister. I just spoke to Kirk on set, and he's on Cloud9.

[2:53] Amanda: I'd be thrilled if I weren't so miserable.

[2:55] Walt Mendez: You're gonna be okay. More than okay. Spencer was holding you back.

[2:59] Amanda: 30 years of my life. It's not so easy to just let go. Bad habits are like that.

[3:05] Walt Mendez: Yeah. Look at how much you have in front of you now. Uh Kirk has his huge movie. It's what you always wanted for him, and you made it happen. You made it happen.

[3:13] Amanda: I had a heart attack. Maybe that's God's way of telling me I've done enough. I mean, what am I? Yeah, an old lady with a lousy broken heart.

[3:21] Walt Mendez: The best heart in the business.

[3:23] Amanda: Yeah, yeah. Good thing for Spencer, I'm not spiteful. But I will destroy him.

[3:31] Bruce Morton: Bruce Morton, how are you, my fellow ninja?

[3:34] Walt Mendez: Oh, get this. I'm hearing Oscar buzz for your boy Savage on a friggin' Marvel movie. Thanks for making me look so good.

[3:43] Bruce Morton: Oh, I should be thanking you. When's Dinah back?

[3:45] Walt Mendez: Monday. You're the first name on her call sheet.

[3:48] Bruce Morton: Aww. Okay, I have to hop into this George Michael meeting.

[3:51] Walt Mendez: You're casting the George Michael musical?

[3:53] Bruce Morton: Yeah, replacing the lead. Apparently the estate doesn't want a straight guy to play him.

[3:58] Walt Mendez: Times have changed. What about Noah?

[4:00] Bruce Morton: He was the understudy. Isn't he straight?

[4:02] Walt Mendez: Let me work on that. You gonna turn him gay?

[4:05] Bruce Morton: No. George Michael identified as bi. Uh I'll text you.

[4:14] Noah: Hey, it's Noah. You know what to do.

[4:17] Walt Mendez: Noah. Hi.

[4:20] Noah: You probably don't want to hear from me, and I don't blame you. It was pretty shitty of me to post that picture.

[4:26] Walt Mendez: I mean, it was shitty of you to take it to begin with, but that doesn't make it right.

[4:30] Noah: I should have had the guts to call you out on being such a selfish, manipulative asshole to your face. I guess I took the coward's route, didn't I?

[4:38] Walt Mendez: But I was really hurt. I feel so stupid saying this now, but I actually thought we had something, something genuine.

[4:47] Noah: I mean, we did at some point, right? I have to believe that. Because even though I feel a little beat up, I still care about you.

[5:00] Walt Mendez: I feel awful about what I did, and I want to make it right. So please call me. It's time sensitive. Okay. Bye.

[5:16] Walt Mendez: I'm only answering because I'm sick of sending you to voicemail.

[5:20] Noah: Oh, thank God. Hi. I'm such an idiot.

[5:23] Walt Mendez: No argument there. Anything else before I get back to my little life?

[5:27] Noah: I didn't mean it like that.

[5:29] Walt Mendez: Are you sure?

[5:30] Noah: Of course. It's just I I Let me guess. It's a crazy time. You're overwhelmed.

[5:36] Walt Mendez: Why are you being so mean? I'm trying to apologize.

[5:39] Noah: That place. That job. I feel like it's eating away at your soul.

[5:43] Walt Mendez: Did you not see the deadline article?

[5:45] Noah: I don't know what that is.

[5:47] Walt Mendez: Only the most important news source of the industry right now? Congratulations, you're crushing it.

[5:51] Noah: That's it? I think maybe this isn't working.

[5:54] Walt Mendez: What's not working?

[5:56] Noah: Us.

[5:56] Walt Mendez: You've changed.

[5:58] Noah: No, that's not true. I I love you.

[6:00] Walt Mendez: You love your work. You love New York. You even still love Noah after all the shit he did to you and to me.

[6:07] Noah: What? I don't love him. He's been awful to me. I've got my own problems here. These parents are driving me crazy, and I just lost another music director.

[6:17] Walt Mendez: You did? It's Rick on the other line. I gotta go.

[6:21] Noah: Who's Rick?

[6:23] Walt Mendez: Exactly. Bye, Walt.

[6:30] Walt Mendez: This is Walt. Don't say anything.

[6:32] Spencer: I said don't talk. I don't want Dinah to know it's me. She's there, right? She's still at home recovering.

[6:38] Walt Mendez: Where are you?

[6:39] Spencer: That's not relevant. Listen. I need you to look behind the catch poster over the file cabinet.

[6:44] Walt Mendez: Okay. Now there should be a 15-digit number written on the back. Some letters, too, I think. Anyway, I need you to read that to me right now.

[6:53] Spencer: What is it? It's not important. What is important? Just give me that code.

[6:56] Walt Mendez: Hold on a second. Pretty sticky. I think it got painted to the wall. I need to go get a chisel or something. Can I uh can I call you back?

[7:05] Spencer: No, no. No. I'll hold. I really shouldn't tie up the phones. We're really busy today.

[7:09] Walt Mendez: Alright, fine. I'll wait by the phone here. Use the number I was calling from and ask for um. What is your name, sir? Have them ask for the bank manager's office.

[7:19] Spencer: You're in a bank?

[7:20] Walt Mendez: No! No, I didn't say that. Just get the poster off the wall and call me back.

[7:24] Spencer: Sir, please stop eating all the jolly ranches.

[7:29] Walt Mendez: Great job, Walt. We just traced the call. It's coming from the Cayman Islands. I guess that's where all the clients' money went.

[7:35] Spencer: Does this mean Dinah's off the hook?

[7:36] Walt Mendez: With your testimony, we'll need to confiscate the cat's poster, of course.

[7:40] Spencer: What do you think that number is?

[7:41] Walt Mendez: Offshore bank account. We'll put a freeze on it until we've done our investigation.

[7:45] Spencer: Can't we just pay back all the clients?

[7:47] Walt Mendez: Uh most of them really need that money to like live. We have to do a full investigation first and run it through all the right channels, and with all the international red tape and extradition hearings, it could be a few years.

[7:50] Spencer: A few years?

[7:59] Walt Mendez: I know. It sucks. But that's a legal system. Can you read that number to me?

[8:04] Spencer: Totally. Um, let me just figure out how to get it off the wall. Oh, it's really stuck. I thought you were bullshitting because you're a talent agent.

[8:12] Walt Mendez: No, no. Just an assistant. Sit tight. We'll send someone over to remove it.

[8:16] Spencer: Sure, sure. Oh, and a personal observation after listening in on every call you made today. Be nicer to Amanda. Real friends are hard to come by, especially as you get older.

[8:26] Walt Mendez: What are you talking about? I love her.

[8:28] Spencer: Which is probably why you take her for granted. Okay, I think we have all the evidence we need. Thank you for your cooperation.

[8:38] Spencer: Game on National Online Services. Oh, can I assist you, Mr. Lavine?

[8:41] Walt Mendez: Hi, I'd uh I'd like to transfer some funds.

[8:45] Spencer: Very good. I see the number you're calling from matches our record, so uh we just need you to go to our website and type in your account number.

[8:53] Walt Mendez: Alrighty. It looks like wow, there's a lot of money in there.

[9:03] Spencer: Not really. Only 1,200 in US. Do you want to transfer doll today?

[9:09] Walt Mendez: No. Leave a hundred bucks in there. The rest goes to my wife's account, Dinah Levine.

[9:15] Spencer: Uh first Midwest. I I see it here. Right. And we'll just go to the personal account of the client payroll.

[9:21] Walt Mendez: Client payroll, please. How soon will it clear?

[9:25] Spencer: As soon as I press enter. Shall I?

[9:28] Walt Mendez: Do it. You're set. Uh anything else I can do for you today, Mr. Lavine?

[9:33] Spencer: No. Nothing else. Good. Because you only have a hundred dollars left. Uh have a blessed day.

[9:43] Dinah Levine: Dinah. I just got an alert from my bank. Do you know anything about this?

[9:47] Walt Mendez: About the million dollars we just transferred?

[9:49] Dinah Levine: No. No clue. Okay. What's going on? Have you been dealing drugs?

[9:54] Walt Mendez: It's all yours. Well, 10% of it anyway. The rest belongs to the clients, but Spencer must have been skimming for years. It was all in an offshore account.

[10:01] Dinah Levine: That fucker! He had the number written on the back of the cat's poster in reception. I knew he was far too interested in that show. I just had to get the money out before it got held up as evidence. I think our clients have waited long enough to get paid.

[10:15] Walt Mendez: Amen. From now on, the clients get paid first.

[10:19] Dinah Levine: I'm uh right after my plastic surgeon. Priorities. Bottom line is Spencer is going away for a long, long time.

[10:29] Walt Mendez: I have to take this. It's Noah. You want me to read him the riot act?

[10:34] Dinah Levine: Thanks, but I think I have to do this myself.

[10:39] Noah: Noah. I wasn't gonna call you, but you left that super sweet message, and my heart melted a little, and you know.

[10:47] Walt Mendez: I offered to help your career.

[10:49] Noah: Yeah. No, it's it's not about that. Well, not just about that.

[10:55] Walt Mendez: Bullshit. But I finally understand you now, so it's okay.

[11:00] Noah: Does that mean we can work together again?

[11:04] Walt Mendez: No.

[11:04] Noah: Oh. Does it mean we can sleep together again?

[11:11] Walt Mendez: Uh no. Then why'd you call me?

[11:13] Noah: Because I did a shitty thing. I mean, you did several shitty things, but that doesn't excuse the thing I did.

[11:19] Walt Mendez: And I won't be able to live with myself if I don't fix it. I owe you a job.

[11:23] Noah: Awesome. What's the job?

[11:25] Walt Mendez: The one you should have had from the beginning. George Michael.

[11:28] Noah: Colin's not doing it?

[11:29] Walt Mendez: George Michael identified as bisexual, and apparently the estate wants a bisexual man to play him.

[11:34] Noah: Huh. So if you want the role, all you have to do is be myself.

[11:40] Walt Mendez: What do you think? Can you handle it?

[11:42] Noah: I can, but I'm not sure about my parents.

[11:47] Walt Mendez: You're an adult?

[11:48] Noah: Yeah, you're right. Okay, do it.

[11:50] Walt Mendez: Yeah. I'll deal with them.

[11:53] Noah: Good. And then I will post a picture of us on Insta.

[11:56] Walt Mendez: I think we've had enough drama.

[11:59] Noah: You're right.

[12:00] Walt Mendez: This should be about me. My specialty. Self-awareness.

[12:05] Noah: I'm sorry, Walt. I really am about everything. I really, really do care about you.

[12:12] Walt Mendez: Thank you. It makes me feel slightly less stupid. Good luck with the show. And hey, I'll be there opening night to cheer you on.

[12:20] Noah: Ooh, I don't know how many tickets I get, so I actually can't promise. Bye, Noah.

[12:26] Dinah Levine: Dinah hi. I just got off with my lawyer. We have a plan.

[12:30] Walt Mendez: For Spencer?

[12:31] Dinah Levine: For you.

[12:32] Walt Mendez: Am I in trouble?

[12:33] Dinah Levine: When I got sick, I was terrified. Not just for myself, but for the business. You know, I haven't missed one day of work in thirty years. Not one. So being away was not easy for me. But it got me thinking. One day I'm gonna die. And what will my legacy be? What I have is this business. And you're the reason we're still here. To be honest, I never thought you'd be able to handle it. The Surrus, the Michigas, the tumult. You know, that's Yiddish, by the way. I'm not having a stroke. When you got here, all apologetic for your existence, I was scared. I made a mistake. I thought you might be weak. But you proved me wrong. You're strong, Walt. You have integrity. Standards. Almost like you don't belong here. Anyway, I appreciate you. And I oh, I don't know. I care for you.

[13:37] Walt Mendez: Thanks, Dinah. I care for you too. I'm so glad you're feeling better.

[13:50] Dinah Levine: Oh, you and me both. So listen. How does 50/50 sound?

[13:56] Walt Mendez: Excuse me?

[13:57] Dinah Levine: For our partnership. I want you to be my equal partner.

[14:01] Walt Mendez: Wow, Dinah. That is insanely generous. Thank you.

[14:06] Dinah Levine: I have big plans for us. Expanding it to branding, social media, bigger offices.

[14:13] Walt Mendez: This is overwhelming.

[14:15] Dinah Levine: I know. Take a second to digest it. We can celebrate on Monday.

[14:20] Walt Mendez: Thanks!

[14:21] Dinah Levine: Good. Now back to work. I'm not paying you to chit-chat.

[14:25] Walt Mendez: You're paying me?

[14:26] Dinah Levine: Check your bank account. It's all there. With interest.

[14:31] Walt Mendez: Okay, gotta go. My esthetician's here. I have to look presentable for my return to public life. I feel like Norma Desmond coming back to the studio.

[14:41] Dinah Levine: Yeah, it didn't end well for her.

[14:42] Walt Mendez: Oh, she had a good time. Goodbye, darling.

[14:54] Walt Mendez: And now back to rolling calls.

[15:00] Bruce Morton: Buddy.

[15:01] Walt Mendez: Hey, Dad. What's a good word, my man?

[15:04] Bruce Morton: I got paid back. All of it with interest.

[15:07] Walt Mendez: Strong work. And I got Kirk Savage onto the Marvel movie, and Noah got the lead in the Broadway show.

[15:13] Bruce Morton: Sounds like someone is becoming a big deal agent.

[15:15] Walt Mendez: I guess that's why Dinah offered to make me an equal partner in the company.

[15:19] Bruce Morton: What? That is so cool.

[15:21] Walt Mendez: I know. I know, I know. So what's wrong?

[15:26] Bruce Morton: I can't do it. This life. It's not what I thought it was. I don't know. I saw these people up here making art and going to opening night parties and saying smart, cynical things, and all I wanted was to be one of them. But for some reason, now that I am, I don't actually enjoy it. Or who it's turning me into. It's just. It's not good for me. So what I'm realizing is that maybe it's the show that I love and not so much the business.

[15:56] Bruce Morton: What are you telling me?

[15:57] Walt Mendez: I was calling for advice, but just saying it is making it all clear. I guess I'm telling you I'm coming home.

[16:05] Bruce Morton: Seriously? We already put the Peloton in your room.

[16:09] Walt Mendez: I was hoping your broker friend also handled rentals.

[16:12] Bruce Morton: Are you sure this is what you want?

[16:14] Walt Mendez: I really think I am. Why am I chasing someone else's dream when mine is right there? I want to come home and make shows, not to be famous or get rich, but just because I love doing it.

[16:26] Bruce Morton: If I told my father that, you know what he would have done?

[16:30] Walt Mendez: Laughed.

[16:30] Bruce Morton: Or worse. But this is what I work so hard for. You think I dreamed about being an electrician? No. I made myself love it because he built our house, put food on the table, and now it's going to allow you to do whatever you want.

[16:49] Walt Mendez: You have no idea how much I appreciate that, Pop. But you still have to make money.

[16:53] Bruce Morton: I know, I'll figure it out. You have my word.

[16:55] Walt Mendez: I'm a hundred percent in favor. We could sneak out for ice cream when your stepmother is not looking.

[17:02] Bruce Morton: Sorry, Dad. I'm a vegan now.

[17:05] Walt Mendez: No.

[17:06] Bruce Morton: Just kidding. Give me posted. I can't wait to see you, baby.

[17:16] Walt Mendez: What? Don't hang up. You were right.

[17:18] Bruce Morton: Okay. Say more words.

[17:21] Walt Mendez: I changed, and not for the better, which is why I need to come home.

[17:24] Amanda: Really? And work for you.

[17:27] Walt Mendez: I'm serious, Amanda. I want to do it.

[17:30] Amanda: You want to quit your big job to teach a bunch of unvaccinated kids in a red state?

[17:36] Walt Mendez: Okay. I want to go back to doing what I love and to being with my family. And you. I miss you, Mandy.

[17:43] Amanda: Well, I just you need a music director. You know we pay shit, right?

[17:49] Walt Mendez: But you only rehearse at night, and Sandy Bell asked me to music direct for her during the day.

[17:56] Amanda: That's like 12 hours of playing piano.

[17:58] Walt Mendez: Yep. You'll be exhausted.

[18:00] Amanda: But I'll be happy. And I'll be doing what I love with you.

[18:06] Walt Mendez: Okay, let's do it.

[18:07] Amanda: Wow. Okay, wow, wow, wow, wow, wow. I guess I have to tell my boss now. Uh wish me luck.

[18:14] Walt Mendez: You don't need it. You're a shark. And by the way, if you need help moving, my boyfriend has a pickup truck.

[18:22] Amanda: Operative word, boyfriend.

[18:24] Walt Mendez: Amazing, Rick, right?

[18:26] Amanda: Mm-hmm. That man is fine. And he's got a hot gay brother.

[18:31] Walt Mendez: Okay, bye.

[18:40] Amanda: Hiya, partner.

[18:42] Walt Mendez: What's shaking?

[18:43] Amanda: Ow. Stay still.

[18:45] Walt Mendez: Sorry.

[18:47] Amanda: She's still working on my face. You want me to stop?

[18:50] Walt Mendez: No, no. Keep going. All right, talk to me, partner.

[18:53] Amanda: Oh, uh maybe this isn't a good time.

[18:55] Walt Mendez: It's fine. It's fine. What's the matter?

[18:57] Amanda: Nothing, really. I just wanted to finish our conversation about the partnership.

[19:01] Walt Mendez: What? You want more money?

[19:02] Amanda: It's not about the money.

[19:04] Walt Mendez: Then what?

[19:04] Amanda: Your offer is incredible. It's generous and thoughtful and more than I deserve, if I'm honest, but I can't accept it.

[19:14] Walt Mendez: I'm so sorry. I love you, but I hate this world.

[19:18] Amanda: I knew you were too good to be true. A sane person in show business.

[19:24] Walt Mendez: What are you gonna do?

[19:26] Amanda: Move home to Florida.

[19:27] Walt Mendez: I take back the sane part.

[19:29] Amanda: I know it sounds crazy.

[19:31] Walt Mendez: It sounds like a dead end to me.

[19:34] Amanda: But go get it out of your system. I'll be here.

[19:37] Walt Mendez: This isn't something you just get out of your system.

[19:40] Amanda: I can't believe it. I mean, what am I gonna do without you?

[19:43] Walt Mendez: You really think I'd bring you a problem without a solution? I have my replacement picked out.

[19:47] Amanda: Who?

[19:48] Walt Mendez: Tegan. She's looking for a job as an assistant again.

[19:51] Amanda: She's a two-faced liar. Why would I ever hire her back?

[19:54] Walt Mendez: She's desperate and humiliated. Can she start Monday?

[19:57] Amanda: I'll set it all up. But I do need one favor.

[20:00] Walt Mendez: Here it comes.

[20:01] Amanda: Have the dinner date you couldn't afford 30 years ago with Bruce Morton. 8 p.m. Monday, Cafe Luxembourg.

[20:08] Walt Mendez: Walter, what are you doing?

[20:10] Amanda: Taking care of you.

[20:11] Walt Mendez: I don't know how to respond.

[20:13] Amanda: Say thank you. No one ever takes care of me. I take care of them.

[20:18] Walt Mendez: You're welcome. Go fuck yourself.

[20:20] Amanda: Good enough. You know, you're gonna hate Florida. It's hot and Republican and filled with chain restaurants.

[20:26] Walt Mendez: With what I'm making playing piano, I'll be cooking at home.

[20:29] Amanda: You'll be back. I give it six weeks.

[20:33] Walt Mendez: Thanks, Dinah. So this is officially my last day.

[20:39] Amanda: It went by fast, didn't it? I had heart surgery, lost my husband, and almost lost my agency. No, it did not go fast.

[20:47] Walt Mendez: But you're back in the headset on Monday. I'm leaving all the client files color coded and alphabetized and a fridge full of Diet Coke.

[20:54] Amanda: Good boy. You have everything you need apart from the Cats poster.

[20:57] Walt Mendez: I don't need that. I really do feel lucky to have ended up in this chair, you know. You gave me a shot when no one else would.

[21:04] Amanda: And it convinced you to quit the business.

[21:07] Walt Mendez: I really am gonna miss you. I'll call on Monday and make sure Tegan is behaving.

[21:11] Amanda: Call any time. I mean it.

[21:13] Walt Mendez: Ow! That's my cuticle.

[21:16] Amanda: I gotta go, honey.

[21:18] Walt Mendez: Go, go, go. I'll close up.

[21:26] Voice Mail: Welcome to Phone Tree, Office Voicemail Solutions. To change your outgoing message, press nine now.

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[21:39] Voice Mail: Welcome to Phone Tree, Office Voicemail Solution. At the tone, please record your new outgoing message.

[21:48] Walt Mendez: Hi. You've reached Walt Mendez at the Dinah Levine Agency. I've decided to change my life and go back to actually making art instead of talking about it. If you have problems, issues, threats, or insults, you can now direct them to my replacement, Tegan Hughes. Have a great day.

[22:16] Voice Over: Sound designed and mixed by Bart Fassbender. Dialogue edit by Brett Ashley. Produced by Dory Berenstein, Alan Seals, and Kimberly Garris for the Broadway Podcast Network. Line produced by Mary McGowan. This podcast is executive produced by Liz Armstrong and produced through Gotham Fiscal Sponsorship's Sound and Light Project. Special thanks to Open Jar Studios.

[22:42] Voice Over: Make sure to visit BroadwayPodcastNetwork.com for more radio comedies, dramas, and interviews with the biggest names on Broadway and beyond. Plus special behind the scenes, red carpet access, and more. Rolling Calls celebrates the entertainment community Fund and Broadway CARES Equity Fights AIDS and thanks them for all they do on behalf of the theater community.

[23:07] Voice Over: This episode featured Jill Abramovitz, Josh Breckenridge, Julie Halston, Adam Heller, Richard Kind, Jeff Crady, Andrea Mackassett, Brittney Mack, Mary McGowan, Luis Miranda, Dan Rosales, Wesley Taylor, and Catherine Wake. For more information on the cast and creative team, visit BPN.fm/rollingcalls.