Today’s episode is the second half of my conversation with Trevor Boffone regarding his fascinating new book:
TikTok Broadway — Musical Theatre Fandom in the Digital Age.
If you missed part one of our discussion, you may want to catch up with that before listening to this one.
Trevor Boffone is a Houston-based content creator and social media manager. His previous books include Renegades: Digital Dance Cultures from Dubsmash to TikTok and Latinx Teens: US Popular Culture on the Page, Stage, and Screen. He is also the editor of TikTok Cultures in the United States and the co-editor of five collections on Latinx popular culture and performance.
Today, Trevor and I explore several massively popular viral TikTok trends relating the Broadway and West End musicals SIX, Heathers, Wicked, and Mamma Mia! And he also shares with us his observations of the many ways that TikTok has become a performance space of its own for fans of Broadway musicals. We also delve into the phenomenon of musicals that have been created on TikTok such as Ratatouille — The Musical and Bridgerton — The Musical. This all brings up some big questions relating to the very nature of theater itself, and of course, the future of TikTok.
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