While Noah waits for word about Jackrabbit, the office is audited by the actors’ union and Walt is offered an opportunity in Florida. From her sickbed, Dina presses Walt to get Noah’s agency agreement signed as Walt learns a shocking secret Noah has been keeping... Read More
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While Noah waits for word about Jackrabbit, the office is audited by the actors’ union and Walt is offered an opportunity in Florida. From her sickbed, Dina presses Walt to get Noah’s agency agreement signed as Walt learns a shocking secret Noah has been keeping.
Transcript
This transcript was automatically generated and might contain errors.
[0:05] Walt Mendez: Hi, Farah. It's Walt for Bruce.
[0:08] Farah: Hey, no news.
[0:09] Walt Mendez: You said that this morning.
[0:10] Farah: As I told you the last three times you called, your boy Noah did really well. Shockingly well, in fact. It's down to him and Kirk for the role. But the director wanted another night with the tapes.
[0:20] Walt Mendez: Did you tell him Noah did parkour when he was a kid?
[0:22] Farah: I did. And that he loved Natalie and Black Swan?
[0:24] Walt Mendez: I did. Okay, and I forgot to tell you that he just started the whole 30s, so he's gonna be like incredibly ready. He's already crazy ripped. You should know that better than anyone.
[0:33] Farah: What's that supposed to mean?
[0:34] Walt Mendez: You're his agent, right?
[0:35] Farah: Oh, right. Yeah, yes, yeah. Why? Are you sleeping with him or something?
[0:40] Walt Mendez: No. I mean, that'd be really inappropriate, right?
[0:43] Farah: Oh my god.
[0:47] Walt Mendez: Right. I'll have Bruce call you the minute we get any news.
[0:52] Farah: Is she off?
[0:53] Walt Mendez: Hold on one sec, I'll check. Okay. So no news is good news, right? You're still in the running.
[0:58] Farah: I don't understand why you didn't push me more.
[1:01] Walt Mendez: What do you mean?
[1:02] Farah: I told her everything we talked about. I just wish you pointed out that I'm like two decades younger than Kirk. Plus, I sing.
[1:09] Walt Mendez: Kirk can sing. He played Billy Flynn. And his Tony Bennett cover album charted an adult contemporary.
[1:15] Farah: Oh, so now you're working for him.
[1:17] Walt Mendez: I'm just saying we have to be strategic.
[1:19] Farah: I know, but you're my advocate, not his.
[1:22] Walt Mendez: Totally, totally. Thanks. I'm just really nervous about this. I tried doing Beakrim this morning, but I couldn't even focus. I think I need to meditate.
[1:30] Farah: Try and relax. No matter what happens, you made a great impression on them. And when Marvel takes you seriously, everyone else does too. It's a big deal. I'm really proud of you.
[1:43] Walt Mendez: Thanks, babe. It was funny she asked about us sleeping together.
[1:47] Farah: Yeah. Glad you deleted that.
[1:49] Walt Mendez: Boop.
[1:51] Farah: Yeah. Okay, I've gotta go run and try to clear my head, but I'll have my phone on me.
[1:55] Walt Mendez: Okay, honey. Love you. Later.
[1:59] Dina: Dina, hi. How are you feeling?
[2:01] Walt Mendez: This nurse they sent home with me is up my ass. How's it going? I hope you don't mind. I'm using your office while they do the audit.
[2:09] Dina: They're still there?
[2:09] Walt Mendez: They said they wanted to go through the books one more time.
[2:12] Dina: Oh, Spencer said it was just cash flow. I mean, we might end up owing a couple of thousand, but shouldn't be anything crazy.
[2:19] Walt Mendez: Have you spoken to him?
[2:21] Dina: Spencer?
[2:22] Walt Mendez: Oh, he's still at the dental conference. It gets longer every year.
[2:25] Dina: Okay, Mrs. Levine. Time to get off the phone.
[2:28] Walt Mendez: Levine!
[2:29] Dina: Oh, she's such a bitch.
[2:31] Walt Mendez: You know I can hear you, right?
[2:32] Dina: Do you need anything?
[2:33] Walt Mendez: Yeah, just some good news, please, God.
[2:36] Dina: Actually, I have some potentially amazing news. We may have landed the lead in Jackrabbit after all.
[2:41] Walt Mendez: What? Who? Who? Ben? Orville? Josh?
[2:45] Dina: Uh-uh. Someone fresh. Someone new. Uh Discovery, if you will.
[2:50] Walt Mendez: Well, talk to me. Who is it?
[2:52] Dina: Noah Pitt Gilford.
[2:53] Walt Mendez: Is that a person's name?
[2:55] Dina: He's our new client, and they loved him. It's between him and Kirk.
[2:58] Walt Mendez: Well, I'm furious that you seem to have signed a client without my knowledge. I'm overall delighted.
[3:02] Dina: I haven't technically signed him yet, but that won't be an issue.
[3:05] Walt Mendez: So you sent him into the toughest room in New York City without an agreement? That means he can walk away if he gets the job.
[3:11] Dina: He would never.
[3:12] Walt Mendez: How do you know?
[3:12] Dina: Because he's kind of my boyfriend, I think. We haven't talked about naming it yet. We have a complicated history, but anyway, he's. I believe in him.
[3:20] Walt Mendez: Oh, honey. I think we need a much longer conversation.
[3:25] Dina: Off the phone now.
[3:27] Walt Mendez: Give me a goddamn minute, Marina.
[3:35] Amanda: Hey, Amanda.
[3:37] Walt Mendez: Oh my god, you picked up.
[3:39] Amanda: Sorry. I've been running this place by myself. I'm basically an agent now.
[3:43] Walt Mendez: Amazing. You got a raise?
[3:44] Amanda: Actually, I haven't gotten paid yet. But if Noah gets this Marvel movie, then it's a whole game changer.
[3:49] Walt Mendez: You didn't sleep with him, did you?
[3:50] Amanda: No.
[3:51] Walt Mendez: Yes.
[3:52] Amanda: I'm sorry.
[3:53] Walt Mendez: Why are you apologizing?
[3:54] Amanda: You're an addict. You're ill. You must be. Do I need to send you the photo from homecoming to remind you who he is?
[4:01] Walt Mendez: No, thank you. It's still on my phone.
[4:04] Amanda: Delete it.
[4:05] Walt Mendez: Ugh, it makes me feel so dirty.
[4:07] Amanda: I know. I will. You know, he was just being an idiot. He was wasted. Pretending to grope an unconscious woman is not being an idiot, Walt. It's being an asshole.
[4:15] Walt Mendez: I know. I know. You know what would happen if I put that on social media, right?
[4:20] Amanda: I can't even imagine.
[4:21] Walt Mendez: It would totally ruin his life. And I mean, forget about working for Marvel, period. That picture can never get out. You know that, right?
[4:30] Amanda: That would be my decision. And no. I do not want the world looking at me that way.
[4:36] Walt Mendez: Good. Thanks. What's happening at home? What's new? How are you?
[4:41] Amanda: Okay. I actually think I met somebody.
[4:48] Walt Mendez: What?
[4:49] Amanda: This is so great. Wait, tell me, tell me, tell me everything.
[4:52] Walt Mendez: Okay, so like, he's a single dad.
[4:55] Amanda: We love hot.
[4:57] Walt Mendez: Right. His son is the best boy dancer we have, which is to say, still pretty bad. But he's adorable.
[5:04] Amanda: The dad or the kid?
[5:06] Walt Mendez: Both. And the dad is like so sweet and built. Not a gym type, but like the kind of hot dad bod that you get from working with your hands.
[5:19] Amanda: He's a carpenter.
[5:20] Walt Mendez: Like Karen and Richard.
[5:22] Amanda: I totally made that joke, and he didn't get it.
[5:24] Walt Mendez: Oh, oh no.
[5:26] Amanda: I know. I know. He's so normal. I love it. I get to be the sparkly one, finally.
[5:32] Walt Mendez: Is it cool to be dating a parent of one of your students?
[5:34] Amanda: Says the guy dating his client.
[5:37] Walt Mendez: Oh shit. It's my dad. I gotta take this.
[5:40] Dad: Babu.
[5:41] Walt Mendez: Dad.
[5:41] Dad: Hey, buddy. Got a sec?
[5:43] Walt Mendez: What's up?
[5:45] Dad: I got a call from your mother.
[5:46] Walt Mendez: She's still in Spokane?
[5:48] Dad: She's in the hospital in Henderson, Nevada.
[5:49] Dad: Car accident.
[5:51] Walt Mendez: Jesus, what happened?
[5:51] Walt Mendez: She's okay. Just banged up.
[5:53] Dad: Unbroke. For a change.
[5:54] Walt Mendez: You said it, not me. Listen, I wish I could help, but I can't do it this time.
[6:00] Dad: Your stepmother put her foot down.
[6:02] Walt Mendez: Totally. Yeah. No problem. Thanks, Dad.
[6:12] Assistant: Tegan Hughes' office.
[6:14] Walt Mendez: Uh, who is this?
[6:15] Assistant: Her assistant.
[6:16] Walt Mendez: Oh. Who's that?
[6:18] Assistant: Walt Mendez.
[6:19] Walt Mendez: Uh, can you tell her I'm calling about the computer?
[6:21] Assistant: One moment.
[6:28] Walt Mendez: I'm sorry, I don't have her. Can you tell her I really need the money?
[6:33] Assistant: Got it. Thanks so much. My mom was in a car accident.
[6:43] Spencer: Yeah, yeah, what's up?
[6:44] Walt Mendez: I'm in a lecture.
[6:45] Spencer: Spencer, finally. I have to talk to you about the money.
[6:48] Spencer: Always with the money. I thought you loved theater.
[6:50] Walt Mendez: I need to get paid. My mom was in an accident, and I have to get money to her.
[6:53] Spencer: How don't you pull that shit on me? You put the office crap on your card, you bought your money. I don't blame ya. But I got good news.
[7:00] Walt Mendez: You do?
[7:01] Spencer: Yeah. I'm at a hot table, and I got a lot of cash here with your name on it. Everything I owe you plus a little more. Those schmucks come in from Henderson. They think they could beat me at poker.
[7:14] Walt Mendez: Henderson. Is that new Las Vegas?
[7:16] Spencer: Next town over. If I call an Uber to meet you outside, would you put that cash in an envelope with the name Marlene Mendez?
[7:23] Walt Mendez: Uh sure. I need to pee anyway.
[7:25] Spencer: Great. I'll text you the info.
[7:33] Walt Mendez: Henderson's probably regional.
[7:35] Walt Mendez: Hi, I'm looking for my mother, Marlene Mendez. Do you have her there?
[7:38] Operator: Please hold while I connect you.
[7:42] Walt Mendez: Hello?
[7:42] Mom: Hi, Mom.
[7:43] Walt Mendez: Walter? Are you okay?
[7:45] Mom: Oh, I'm fine. Why?
[7:47] Walt Mendez: Because you're in the hospital.
[7:49] Mom: Oh, well, my wrist is broken, but the rabbit is fine.
[7:49] Walt Mendez: The rabbit?
[7:56] Mom: Yeah, in the road. I didn't want to hit the little guy.
[7:59] Walt Mendez: So what did you hit?
[8:01] Mom: A billboard, but I couldn't help myself. Anyhow, I'm okay. The car can always be repaired.
[8:10] Walt Mendez: I'm sending over an envelope with cash in it right now. It should be enough to cover the car and to get you back to Spokane.
[8:19] Mom: I'm the mom I should be helping you.
[8:21] Walt Mendez: Um, please promise me you'll get a job when you get home. A real one with health insurance.
[8:27] Mom: Oh, I have this idea for a spice mixture. And if I go on Shark Tank, I think I can—
[8:31] Walt Mendez: Please. I promise I'll pay you back.
[8:39] Mom: You don't need to. Just take care of yourself.
[8:43] Walt Mendez: Will you come for Christmas this year? It's been a long time.
[8:46] Mom: Definitely. Um, I'll try.
[8:50] Walt Mendez: Great. I'll clear out the extra room. The cats don't need all that space anyway.
[8:56] Mom: Love you.
[8:56] Walt Mendez: Oh, you too, baby. I'm so proud of you.
[8:59] Mom: You are? Oh. For what?
[9:01] Walt Mendez: Yeah. For living your dream.
[9:06] Mom: Okay. I'm gonna take a nap now. Call me later.
[9:16] Walt Mendez: What's up?
[9:17] Noah: Nothing good.
[9:17] Walt Mendez: What? What happened?
[9:19] Noah: My mom's in the hospital.
[9:20] Walt Mendez: Oh. I just had a total panic attack. I thought you meant the job.
[9:24] Noah: No. No news from them yet.
[9:27] Walt Mendez: You can't do that to me.
[9:28] Noah: Sorry, I just I was hoping uh I don't know what I was hoping. You've met my mom and the crazy cat lady, okay.
[9:36] Walt Mendez: She will be.
[9:38] Noah: I sent her some money.
[9:41] Walt Mendez: You're a really good son, you know that.
[9:43] Noah: I haven't seen her in a year. I feel like a terrible son. I should go out there.
[9:47] Walt Mendez: Why?
[9:48] Noah: You need to take care of yourself.
[9:50] Walt Mendez: Yeah. Yeah, you're probably right. So, um, you think we'll hear today?
[9:55] Noah: I don't know. Hopefully.
[9:57] Walt Mendez: You'll call me, right?
[9:58] Noah: I need to go. I think it's the auditor.
[10:00] Walt Mendez: Auditor.
[10:00] Noah: I'll call you when I hear.
[10:02] Auditor: So we went through everything and we're still a little confused. It's been six months since these payments were issued to your clients, but it looks like the money is all going to a dental office in Long Island, which can't be right.
[10:13] Walt Mendez: Happy smiles?
[10:14] Auditor: You know it?
[10:15] Walt Mendez: That's my boss's husband. He handles the payroll.
[10:18] Auditor: We need to see his books now. Can you get him on the phone?
[10:21] Walt Mendez: Sure. He's at a conference, but let me try and get him.
[10:29] Auditor: I just got confirmation. They delivered the money.
[10:30] Walt Mendez: Thank you. Listen, the auditors need to see your books.
[10:35] Auditor: Yeah, it's probably not a good idea until I do some work on them, if you know what I mean.
[10:39] Walt Mendez: Oh, um, they're here, and you're on a speakerphone.
[10:43] Auditor: I don't know that. I'm just chasing with it. Hey, guys, listen, anything you need. Unfortunately, I'm stuck at this damn dental conference for another few days. So why don't we get a time next week when I'm back?
[10:54] Auditor: Sure, Dr. Levine.
[10:56] Auditor: Hey, just a heads up, we've frozen all your assets while we continue the investigation.
[10:59] Noah: I'm sorry, what was Mr. Levine?
[11:02] Auditor: Yeah, hold on a second, guys. That's Dr. Love. We're gonna have to ask you to settle up. I'm afraid we have to close your line of credit.
[11:11] Noah: Guys, when can I expect my assets to uh to thaw, as it were?
[11:19] Auditor: How do we see your books?
[11:22] Noah: I see. All right, I'll be on the first plane home. Oh, and Walt?
[11:27] Walt Mendez: Yeah.
[11:28] Auditor: Thanks for nothing.
[11:31] Noah: Ben, hi. Sorry I haven't called you back. Yeah, do you have the phantom offer?
[11:35] Ben: Yes, but can we talk about London?
[11:37] Noah: Man, I told you, I'm not changing my mind.
[11:39] Ben: Noah, they are literally doubling the money for the third time.
[11:42] Noah: I'm sorry, man. I just can't do it.
[11:43] Ben: You'd be getting the same deal they gave Christian Slater to do Goody Proctor in the Crucible.
[11:47] Noah: Isn't Goody Proctor the wife?
[11:48] Ben: It's that kind of production. Still, we're talking a lot of money. They really want you. Doesn't that like doesn't that make you feel good?
[11:56] Noah: Yes, but staying in New York so my girlfriend doesn't leave me feels better.
[11:59] Ben: Um, have you ever seen the women in London? You will not want to be in a relationship when you're starring in a West End show.
[12:05] Noah: Dude.
[12:06] Ben: Okay, okay. You want me to go back and ask for more money? I'm happy to do it.
[12:10] Noah: I will you're not listening to me.
[12:11] Ben: No, you're not listening to me. This is your career, we're talking about.
[12:14] Noah: Phantom is a job.
[12:16] Ben: I don't give a shit.
[12:16] Noah: Clearly, which is why you're still where you are.
[12:20] Ben: Wow. Okay, I'm hanging up now.
[12:23] Noah: Wait, wait, wait, wait, wait. Don't you think that you should shit.
[12:34] Walt Mendez: And now back to rolling calls.
[12:44] Noah: Hey, babe. Listen, I'm not calling about that. I think I owe you an apology.
[12:48] Walt Mendez: For what?
[12:49] Noah: I was pretty harsh about your mom. I ran out of clonopin, and my docs won't prescribe anymore. Fucking one medical is worthless. Anyhow, you should absolutely go see her once we have the movie worked out.
[13:02] Walt Mendez: You think so? I mean, every time I make an effort, she either bails or ruins it somehow. I'm not sure if I can put myself back in that situation again.
[13:11] Noah: Yeah, it's a lot to think about. It's strange how your life can just change in a second. Like this movie. I mean, if I book it, it would literally change my life.
[13:22] Walt Mendez: I think you have a really solid shot at this.
[13:24] Noah: You do?
[13:25] Walt Mendez: You're talented, Noah. I've always believed in you.
[13:27] Noah: Babe. You're gonna make me cry.
[13:31] Walt Mendez: I have to say, I'm grateful to have you back in my life, and I hope you feel the same.
[13:36] Noah: Totally. Totally. Hey, um, are you around tonight?
[13:41] Walt Mendez: I don't. I don't want to be alone.
[13:44] Noah: Of course. Yeah. Yeah, I can come over. Let's do your place. I can't handle EDM and patchouli oil tonight.
[13:51] Walt Mendez: Um, what if we get a hotel? That'd be fun, right?
[13:54] Noah: Is that then? Uh, I don't think so, but I should take this.
[13:58] Walt Mendez: Cool, cool. I'll just be here stress eating.
[14:02] Operator: Dinah Levine agency.
[14:04] Walt Mendez: Speaking.
[14:05] Sandy: I cannot believe I tracked you down. It's Sandy Bell from Florida Rap.
[14:12] Walt Mendez: Sandy? Oh my god, how are you?
[14:15] Sandy: It's been forever.
[14:17] Walt Mendez: I know. The last time I saw you was at Menschies after you won the rising star award.
[14:23] Sandy: That's so mortifying.
[14:24] Walt Mendez: No, no, no, no. I thought you were adorable. Listen, you were the only kid who played piano for himself.
[14:30] Sandy: Uh, what was I thinking? That's not even a song.
[14:32] Walt Mendez: Yes, it is! Paraguay is some of Lynn's best writing.
[14:36] Sandy: And you were so cute. Oh my gosh, with that your little bandana and your fake mustache.
[14:43] Walt Mendez: So listen, we're gonna do it.
[14:45] Sandy: What?
[14:46] Walt Mendez: In the heights. And we need a music director. You wanna come home? The money's decent, and everybody here loves you.
[14:53] Sandy: Oh, Sandy, that sounds like so much fun. I wish I could do it, but I have this new job here in New York. My boyfriend's here.
[15:02] Sandy: Oh. No, I understand. I understand. Had to give it a shot, right? But listen, will you do me a favor?
[15:11] Walt Mendez: Of course.
[15:11] Sandy: Don't stop playing, Walt. You're really good. You feel the music and you play the piano like it's an orchestra. I do not see that a lot.
[15:22] Walt Mendez: Thanks, Sandy. Oh, it's so good to hear from you. Please send my love to everyone down there at the theater, okay?
[15:27] Sandy: I will. I will. Big kiss. Take care, sweetie.
[15:34] Spencer: Mendes, it's your roommate. Guess what? Ich bin ein Berliner.
[15:39] Walt Mendez: Seriously, I'm going to Germany tonight. The track Leslie and I made is taking off over there. We have all these meetings in Berlin starting tomorrow. So the place is all yours for a while. Go nuts.
[15:50] Spencer: Oh, I'm bringing your keyboard since you never use it anyway. Okay, car's here. I'll find the shrimp.
[15:57] Walt Mendez: Perfect. Yes.
[16:00] Noah: Hey, what's up?
[16:01] Spencer: Good news.
[16:01] Noah: Oh shit.
[16:02] Spencer: Oh shit, really?
[16:03] Noah: Yep. We have the whole apartment to ourselves for the foreseeable future. Marty's going to Berlin.
[16:08] Spencer: Jesus, you have to stop doing that to me.
[16:10] Noah: Oh, sorry. I was psyched. I thought you would be too.
[16:13] Spencer: I am. I am. But you know I'm a little preoccupied.
[16:17] Walt Mendez: Oh, wow. It's them. I'll call you back.
[16:20] Noah: I am losing it. Okay. Okay, go, go, go.
[16:23] Bruce: Bruce.
[16:26] Walt Mendez: Walter, you're a star maker.
[16:29] Bruce: He got it.
[16:30] Walt Mendez: What wait? What?
[16:31] Bruce: Natalie loved him. The studio loved him. Business affairs will be in touch, but it's gonna be a lot of money.
[16:38] Walt Mendez: Oh my god, he's gonna be so happy.
[16:41] Bruce: And six months in Atlanta.
[16:43] Walt Mendez: Oh, at Atlanta.
[16:44] Bruce: Yeah, and then press junkets around the world, talk shows, festivals, awards, the whole McGilla. This is big. You might want to bring a lawyer.
[16:54] Walt Mendez: Got it. Thanks, Bruce. Thank you. Thank you. Oh, uh, please tell Dinah how happy I am for her.
[17:01] Operator: Dinah Levine agency.
[17:02] Josh: Hey, it's Josh.
[17:03] Walt Mendez: I'm sorry, who?
[17:05] Josh: Breckenridge. Look, I don't mean to be a nag, but I was just wondering if that check ever came in because I say I would call you back when I had news.
[17:12] Walt Mendez: I don't have time for this right now.
[17:13] Josh: No, but I thought it was supposed to Dinah.
[17:15] Walt Mendez: Oh my god. I know. Bruce just texted me. He's so good to us. Can you believe it? You have excellent taste in boyfriends, Mendez.
[17:23] Walt Mendez: Have I told you how much I love you?
[17:25] Josh: Only when medicated. This is gonna be a big negotiation, but I want you to be a part of it. You've earned it. You're becoming a real agent. I'm so proud.
[17:33] Walt Mendez: My head is it's spinning a little bit.
[17:36] Josh: Wow. I'm sending over papers for Noah to sign. Just in case. I know he loves you and everything, but jobs like this tend to change people. When Clooney booked his first feature, he lost 20 pounds, got LASIKs, and broke up with his girlfriend, his therapist, and me. Better safe than sorry.
[17:51] Walt Mendez: He is gonna be so excited.
[17:54] Josh: I don't think we have anything to worry about, but yes, of course. Now go celebrate. Take him to Orso on the company.
[18:00] Walt Mendez: How would I do that?
[18:01] Josh: Well, charge it. I'll pay you back.
[18:02] Walt Mendez: Cool. I love you, kid.
[18:04] Josh: No, you don't.
[18:05] Walt Mendez: I do right now.
[18:09] Noah: What what what? That was a long call. I have some bad news.
[18:12] Walt Mendez: Damn it! What?
[18:14] Noah: You're gonna have to stop the shirtless streaming.
[18:17] Walt Mendez: Because you are about to become a giant movie star.
[18:20] Noah: Holy fucking shit! I can't believe I'm dating the jackrabbit.
[18:26] Walt Mendez: Oh my god. Oh my god, Walt. I can't believe this.
[18:29] Noah: I know, I know. I did it. I made this fucking happen. I put it out into the universe.
[18:34] Walt Mendez: Well, I'd like to think that we did it together. This just goes to show that persistence pays off. After three insane years in this business, I stuck with it. I weathered the storms and the idiots, who are plentiful, and I made it happen for myself.
[18:50] Noah: We have to celebrate. What do you say to dinner on me at Orso?
[18:54] Walt Mendez: Oh shit, I would love to, but I think I need to spend tonight at my place.
[18:58] Noah: You want to order in?
[19:00] Walt Mendez: That's so romantic.
[19:01] Noah: Yeah. When should I come over?
[19:04] Walt Mendez: I thought I was clear that you can't really come here.
[19:07] Noah: Right. You're gonna celebrate with your roommate.
[19:09] Walt Mendez: If is seven good?
[19:11] Noah: No, I'm serious. Lily is actually more than my roommate.
[19:16] Walt Mendez: Lily?
[19:18] Noah: Yeah. We met in San Diego. She was the company manager on the show.
[19:23] Walt Mendez: I don't understand.
[19:25] Noah: Uh. I didn't want to disappoint you. So I never said anything. We we had sex. She knows how important my career is to me. I really am sorry, Holt.
[19:41] Walt Mendez: Yeah. So, you know, from now on, we should probably keep this professional.
[19:47] Noah: Of course. Sure. Uh professional. Uh I I gotta go now.
[19:54] Walt Mendez: Cool, cool, cool. Let me know what's next.
[19:57] Noah: Sart!
[19:58] Walt Mendez: Thanks.
[19:59] Noah: Yeah, uh, me too.
[20:01] Lily: Yes, one.
[20:09] Walt Mendez: Rolling Calls is written by Gordon Greenberg and Steve Rosen.
[20:13] Walt Mendez: Directed by Gordon Greenberg.
[20:15] Walt Mendez: Sound designed and mixed by Bart Fassbender.
[20:18] Walt Mendez: Dialogue edit by Brett Ashley.
[20:21] Walt Mendez: Produced by Dory Berenstein, Alan Seals, and Kimberly Garris for the Broadway Podcast Network.
[20:28] Walt Mendez: Line produced by Mary McGowan.
[20:31] Walt Mendez: This podcast is executive produced by Liz Armstrong and produced through Gotham Fiscal Sponsorship's Sound and Light Project.
[20:39] Walt Mendez: Special thanks to Open Jar Studios.
[20:42] Walt Mendez: Make sure to visit Broadway Podcast Network.com for more radio comedies, dramas, and interviews with the biggest names on Broadway and beyond, plus special behind the scenes, red carpet access, and more.
[20:56] Walt Mendez: Rolling Calls celebrates the entertainment community fund and Broadway CARES Equity Fights AIDS and thanks them for all they do on behalf of the theater community.
[21:07] Walt Mendez: This episode featured Jill Abramovitz, Josh Breckenridge, Erin Davy, Ben Davis, Julie Halston, Adam Heller, Richard Kind, Jeff Crady, Brittney Mack, Luis Miranda, Den Rizales, David Rossmer, Wesley Taylor, and Catherine Wake.
[21:28] Walt Mendez: For more information on the Cast and Creative team, visit bpn.fm slash rolling calls.
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