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[0:00] Andrew DeWolf: Oh Jess has drank so much.

[0:04] Andrew DeWolf: He has to piss.

[0:06] Andrew DeWolf: He has to piss.

[0:09] Andrew DeWolf: Oh, Jess, you drink too much.

[0:12] Andrew DeWolf: You have to piss.

[0:14] Andrew DeWolf: You have to piss.

[0:16] Andrew DeWolf: And I swear every ten minutes or so just takes a little tinkle in.

[0:24] Andrew DeWolf: And that's why I'm singing this song.

[0:28] Andrew DeWolf: Because Jess is in the bathroom.

[0:36] Jesse McInally: Hello, I'm Jesse McInally.

[0:39] Andrew DeWolf: And I'm Andrew DeWolf.

[0:41] Jesse McInally: And welcome to Musicals with Cheese, a podcast where I try to get Andrew to like musical theater.

[0:46] Jesse McInally: And today we're actually having a part two of an episode that we had previously.

[0:50] Jesse McInally: A second parter.

[0:52] Jesse McInally: It's a two-parter.

[0:54] Jesse McInally: This is the sequel, and as we all know, the sequels are always better.

[0:58] Andrew DeWolf: Yeah, always, always, always.

[1:00] Jesse McInally: So a few months ago, when we first started up the podcast again, um, we did an episode where we read off musical theater titles, and Andrew had to guess what it would be about or make up his own version of the story.

[1:13] Andrew DeWolf: Of what he would think it would be about.

[1:16] Andrew DeWolf: It wasn't that I made up a version of the story.

[1:18] Andrew DeWolf: I was trying to guess what the story would be.

[1:21] Jesse McInally: And one song from it, if that was it.

[1:24] Jesse McInally: Yes, and uh and I think we actually had a few hits there.

[1:28] Jesse McInally: The uh I think my Wright brother's musical idea is currently in production.

[1:32] Jesse McInally: Um so Cameron Macintosh picked it up like your rights, brother, you're right, brother.

[1:41] Jesse McInally: So our main recommendation is check out that episode.

[1:45] Jesse McInally: Um, we figured because this is a brand new year, welcome to 2019, bitches, that we can just start this out with Andrew, like hearing a bunch of musical titles and trying to guess what they would be about.

[1:57] Andrew DeWolf: I can't wait.

[1:58] Andrew DeWolf: I really hope I get things like Mary Poppins, because I feel like I'm gonna nail those ones.

[2:02] Jesse McInally: Perfect.

[2:03] Jesse McInally: Alright, Andrew, are you ready?

[2:07] Andrew DeWolf: Oh.

[2:07] Andrew DeWolf: I've been ready since the last time we did it.

[2:11] Jesse McInally: Alright, so this is actually gonna be in alphabetical order.

[2:13] Jesse McInally: So you kids at home listening, get ready for that.

[2:18] Andrew DeWolf: Yeah, now you'll know if the episode is edited.

[2:21] Jesse McInally: Mm-hmm.

[2:22] Jesse McInally: Andrew, your first musical that you have to both guess the plot, as well as at least one song from it, like the big song, like the memory, or the one that would be on like pop albums, like you'd hear like Frank Sinatra cover.

[2:35] Andrew DeWolf: Oh, Frankie Sinatra cover me.

[2:37] Jesse McInally: Alright, the first musical is 1776.

[2:43] Andrew DeWolf: Oh, that's easy.

[2:46] Andrew DeWolf: It's uh It's about the founding of the the United States of America.

[2:52] Andrew DeWolf: Um you got your major players.

[2:55] Andrew DeWolf: You have uh George Washington, Ben Franklin, Thomas Jeffeman, uh, and then you got your bad guys like uh the King George.

[3:06] Andrew DeWolf: And King George has some songs uh which aren't very good, but the memorable song is called We Declare Our Independence.

[3:17] Andrew DeWolf: And it's literally it's the the Founding Fathers.

[3:20] Andrew DeWolf: They sing their song uh that is basically listing their grievances with the King.

[3:28] Jesse McInally: You're not too far off.

[3:29] Jesse McInally: I gave you an easy one just so we could ease ourselves into it.

[3:33] Jesse McInally: But the story is based on the events surrounding the signing of the Declaration of Independence.

[3:37] Jesse McInally: It dramatizes the efforts of John Adams to persuade his colleagues to vote for the American independence and to sign the document.

[3:45] Andrew DeWolf: But a boom baby.

[3:46] Andrew DeWolf: I nailed it, maybe a little bit.

[3:49] Jesse McInally: Uh and one of the more famous songs from it is called Sit Down, John, which um Lynn Manuel Miranda parodies in Hamilton, which we will get to hopefully in twenty nineteen.

[4:01] Andrew DeWolf: Oh boy, I can't wait.

[4:03] Jesse McInally: Wait.

[4:06] Jesse McInally: Alright.

[4:07] Jesse McInally: Are you ready for the next one, Andrew?

[4:09] Andrew DeWolf: I'm ready for the next one.

[4:10] Andrew DeWolf: I've already I'm I'm one for one right now, I would say.

[4:13] Jesse McInally: Yeah, you're doing pretty good so far.

[4:15] Jesse McInally: But let's see what you can do for this one.

[4:17] Jesse McInally: This one is called Ain't Misbehaven.

[4:22] Andrew DeWolf: Ain't misbehaving.

[4:25] Andrew DeWolf: Alright.

[4:26] Andrew DeWolf: Uh, you know, first thing that comes to my head, uh, it's about a rebellious teenage girl growing up in the suburbs of New York.

[4:36] Andrew DeWolf: Uh or no no, not the suburbs, like the in the inner city of New York, pardon me.

[4:42] Andrew DeWolf: Um she meets a a dude with a with a leather jacket, and she falls in love, but her dad ain't having none of it.

[4:52] Andrew DeWolf: Um basically the story is uh them trying to get together, and eventually she just runs off with him.

[4:59] Andrew DeWolf: Uh and and one of the songs is uh is called f I don't know.

[5:06] Andrew DeWolf: I can't think of a song title for this.

[5:08] Andrew DeWolf: We'll call it we'll call it uh uh leather leather jacket gang.

[5:17] Andrew DeWolf: Uh no, no, no.

[5:18] Andrew DeWolf: Wait.

[5:19] Andrew DeWolf: Uh Steel and Wheel.

[5:21] Andrew DeWolf: That's the song, and it's like a it's like a pseudo like metal type song.

[5:27] Andrew DeWolf: I don't know.

[5:28] Andrew DeWolf: Fuck I I don't.

[5:31] Andrew DeWolf: Alright, are you ready to know what ain't misbehaving is really about?

[5:35] Jesse McInally: I think I'm like as far off as you could possibly be.

[5:39] Jesse McInally: And it is a little bit of a cheat for me.

[5:42] Andrew DeWolf: Okay, what do you got?

[5:43] Jesse McInally: Ain't misbehaving is a musical review.

[5:45] Jesse McInally: Um the musical is a tribute to black musicians of the nineteen twenties and nineteen thirties who are part of the Harlem Renaissance, an era of growing creativity, cultural awareness, and ethnic pride, and takes the title from the 1929 Waller song Ain't Misbehaven.

[6:04] Andrew DeWolf: You know, Harlem is in New York.

[6:09] Jesse McInally: I'm not giving that to you.

[6:11] Jesse McInally: There's no leather getting.

[6:13] Andrew DeWolf: There's no leather gang.

[6:17] Jesse McInally: Leather is next.

[6:21] Jesse McInally: Are you ready for what's next, Andrew?

[6:24] Andrew DeWolf: Yeah.

[6:24] Andrew DeWolf: What do you got?

[6:25] Jesse McInally: This one is an American in Paris.

[6:32] Andrew DeWolf: This sounds like your typical romance.

[6:35] Andrew DeWolf: Uh you gotta I'm gonna go all out with this, okay?

[6:35] Andrew DeWolf: Go all out.

[6:44] Andrew DeWolf: Let's go out.

[6:45] Andrew DeWolf: I'm going all out.

[6:47] Andrew DeWolf: Uh it's 1944.

[6:52] Andrew DeWolf: Uh the Allies have pushed the the Germans back, and one of the US Army members is stationed in Paris, where he meets uh a young French girl uh whom he falls in love with.

[7:09] Andrew DeWolf: Um and basically from there it's just your standard romance kind of plot uh I can't think of a song though, I'll be honest.

[7:20] Jesse McInally: You know what you're not far off, and I will give this one to you.

[7:24] Andrew DeWolf: Ooh.

[7:25] Jesse McInally: Jerry Mulligan is an American ex GI who stays in post-World War II Paris to become a painter and falls for the charms of Lise Po Bouvier.

[7:35] Jesse McInally: However, his paintings come to the attention of Milo Roberts, a rich American heiress who is interested in more than just his art.

[7:45] Andrew DeWolf: I think I nailed that.

[7:47] Andrew DeWolf: I think you did pretty good.

[7:48] Jesse McInally: I'll give that one to you.

[7:50] Andrew DeWolf: Oh man.

[7:51] Andrew DeWolf: That's that's two for three.

[7:53] Andrew DeWolf: That's pretty good.

[7:54] Jesse McInally: Yeah, I'll give you that.

[7:55] Jesse McInally: Like you're doing pretty good.

[7:56] Jesse McInally: Are you ready for the next one?

[7:58] Andrew DeWolf: Yeah, give me the next one here.

[8:00] Jesse McInally: Alright.

[8:08] Jesse McInally: Um, let's see.

[8:12] Jesse McInally: Anyone can whistle.

[8:14] Andrew DeWolf: Anyone can whistle.

[8:19] Andrew DeWolf: Okay.

[8:22] Andrew DeWolf: How far off the deep end should we go here?

[8:24] Jesse McInally: Go as far as you want.

[8:25] Andrew DeWolf: Think of the audience listening to this.

[8:30] Andrew DeWolf: Whistle.

[8:32] Andrew DeWolf: So uh it takes place in England.

[8:38] Andrew DeWolf: No doubt about that.

[8:40] Andrew DeWolf: Um London.

[8:42] Andrew DeWolf: In London.

[8:45] Andrew DeWolf: And there's a there's a kid, a younger kid who is trying to get a job and he's working with like a like a fatherly figure type guy.

[9:00] Andrew DeWolf: Uh and basically this kid is a troubled kid, and this guy kind of shows him shows him the ropes, the tools of the trade, you know.

[9:10] Andrew DeWolf: Um, and uh the whistling is a metaphor for life, you know, and it's it shows hey, just because you're not getting along now, anyone can do this.

[9:21] Andrew DeWolf: Uh and that's kind of the whole that's like the whole how the show goes.

[9:25] Andrew DeWolf: Um one of the songs is uh one of the songs is uh Oh my goodness.

[9:34] Andrew DeWolf: I can never think of a good song title.

[9:38] Andrew DeWolf: But one of the songs is about it's about whistling, and it's him it's him showing how it's him teaching him how to whistle.

[9:45] Andrew DeWolf: You know?

[9:46] Jesse McInally: And it's it's somewhat metaphorical though.

[9:48] Andrew DeWolf: Alright.

[9:49] Andrew DeWolf: Are you right to learn what anyone can whistle is really about?

[9:53] Jesse McInally: You know what?

[9:53] Jesse McInally: I have no fucking clue what this is about, okay?

[9:55] Jesse McInally: This is such a vague title.

[9:57] Andrew DeWolf: I love it.

[9:57] Jesse McInally: Most musical theater titles are pretty vague.

[10:00] Andrew DeWolf: What do you got?

[10:01] Jesse McInally: This story concerns a corrupt mayor, an idealistic nurse, a man who may be a doctor, and various officials, patients, and townspeople all fighting to save a bankrupt town in America.

[10:14] Andrew DeWolf: You know what?

[10:16] Andrew DeWolf: That's alright.

[10:17] Andrew DeWolf: That's that probably a that's probably a fine probably a fine show.

[10:20] Jesse McInally: It's done by Steven Sondheim.

[10:22] Jesse McInally: I actually don't know it that well, so we'll have to we'll have to cover it someday.

[10:27] Andrew DeWolf: Maybe.

[10:27] Andrew DeWolf: Like it's really hard to find a good recording of that.

[10:31] Jesse McInally: Like, there's a good like audio recording, but you'd we'd probably have to read through the script.

[10:39] Jesse McInally: You ready for the next one, Andrew?

[10:43] Andrew DeWolf: No, we go in alphabetical motherfucker.

[10:46] Jesse McInally: I told you this.

[10:47] Jesse McInally: This is the last day one, though.

[10:50] Andrew DeWolf: Okay, what do you got?

[10:51] Jesse McInally: Applause.

[10:53] Andrew DeWolf: I I feel like it with a show title like Applause, it's probably about show business or something like that.

[10:58] Jesse McInally: You're in the right direction.

[11:00] Jesse McInally: Um probably.

[11:03] Andrew DeWolf: What's that Shakespeare thing where they fucking put on a show?

[11:06] Andrew DeWolf: It's probably like that.

[11:08] Andrew DeWolf: Uh basically, you know, they're trying to put on a show, a bunch of mishaps.

[11:11] Andrew DeWolf: Um, but the show must go on, and then by the end of it, they kind of get it all together.

[11:16] Andrew DeWolf: Um and uh one of the songs is called The Show Must Go On, and Freddie Mercury sings it.

[11:24] Jesse McInally: Uh very good.

[11:26] Jesse McInally: Alright.

[11:27] Jesse McInally: What do you got?

[11:27] Andrew DeWolf: Alright, so the plot is actually about um an aging star, Margot Channing, who innocently takes a fledgling actress under her wing, unaware that the ruthless Eve is plotting to steal her career and her man.

[11:42] Andrew DeWolf: What?

[11:42] Andrew DeWolf: It's all about Eve, but a musical.

[11:45] Jesse McInally: All about Eve is basically a show where a girl wants to take over a very famous actress's life.

[11:55] Andrew DeWolf: Oh, I think they had a similar plot in uh Texas Chainsaw Massacre 2.

[12:03] Jesse McInally: Maybe.

[12:05] Jesse McInally: Alright, you're ready for the next one.

[12:07] Jesse McInally: The next one is called The Baker's Wife.

[12:11] Andrew DeWolf: Do Bakers have 13 wives?

[12:13] Jesse McInally: No, those are Mormons.

[12:16] Andrew DeWolf: Oh.

[12:18] Jesse McInally: Okay.

[12:19] Andrew DeWolf: Um what the fuck else could this be about?

[12:22] Andrew DeWolf: It's called the Baker's Wife.

[12:24] Andrew DeWolf: I'm gonna have to come up with a fucking plot for it.

[12:26] Andrew DeWolf: I guess you are.

[12:28] Andrew DeWolf: Okay, so a guy that is a regular at a baker's shop is the main character, and he gets involved with the baker's wife, and he wants to uh steal her away.

[12:43] Andrew DeWolf: Um the baker obviously has none of that.

[12:47] Andrew DeWolf: Um but basically the baker's a bad dude.

[12:52] Andrew DeWolf: Um so the the we all root for the guy that's trying to steal the wife away.

[12:58] Andrew DeWolf: Uh and at the end, uh the the baker's wife and this guy live happily ever after or something.

[13:06] Andrew DeWolf: I don't know.

[13:06] Andrew DeWolf: Jess that's a really hard man.

[13:09] Andrew DeWolf: And what's the one famous song from the baker's wife?

[13:13] Andrew DeWolf: Oh, the one famous song it's called uh it's called a baker's it's called a baker's dozen, and it's it's about how something metaphoric with the number twelve versus thirteen.

[13:25] Andrew DeWolf: I don't know.

[13:29] Andrew DeWolf: I'm not even trying.

[13:31] Andrew DeWolf: I have nothing.

[13:32] Andrew DeWolf: Jess that title gives me nothing.

[13:34] Jesse McInally: Neither did dogfight and you came up with gold there.

[13:39] Andrew DeWolf: Okay, you know what?

[13:40] Andrew DeWolf: Dogfight gave me a lot more than that.

[13:42] Andrew DeWolf: A baker's wife, what the fuck?

[13:47] Jesse McInally: You're what do I do with that?

[13:51] Jesse McInally: You ready for the real plot of the baker's wife?

[13:54] Andrew DeWolf: Yeah, what's the real plot, Jess?

[13:56] Jesse McInally: Bakering residents of a roll village in 1935 province, France, have been without a baker for seven weeks.

[14:03] Jesse McInally: They finally find peace and contentment in the new baker, Amable, and his attractive young wife, Genevieve.

[14:10] Jesse McInally: However, when Genevieve is lured away by a handsome young gigglo, the middle-aged baker loses all zest for life and baking when he refuses to bake.

[14:20] Andrew DeWolf: Oh, my villagers must work together as a team to bring Amable and Genevieve back together.

[14:26] Andrew DeWolf: You know what? I feel like I got some elements of the plot correct? I mean, I'll give you a quarter.

[14:35] Andrew DeWolf: Okay. For those of you counting at home, because I certainly aren't. Give me some give me something to work with here, Jess. What do you got?

[14:41] Jesse McInally: This one is entitled The Band's Visit.

[14:47] Andrew DeWolf: The Band's Visit. Oh, it's about that it's about that day where the in the Music Man where all the bands come to town, right?

[14:55] Jesse McInally: I don't think that was even in the Music Man.

[14:58] Andrew DeWolf: It was in the Music Man. He sings about it. All the bands come into town. And then it goes da da da da da da da da da dun dun. Or something like that. I don't remember.

[15:11] Andrew DeWolf: I um okay. What was it called again? The band's visit.

[15:18] Andrew DeWolf: Mm. The band's visit. Okay. Musical seems to really like small towns. So I'm gonna go with um is a small town, and the town has to uh there's like a big band that's touring, and this small town wants to have the band come, and the band uh in order to do so, they lie to the band or something and say that their town's awesome, and they have to fix up the town to make it look right.

[15:47] Andrew DeWolf: So for so when the band comes, everything's everything's perfect. Um then the band actually does come, and there's a big show, and it's great, and everyone loves it, and it's like uh and and uh yeah, and then the main character in the love interest get to see their big band and they love it, and that's it. Uh and one of the songs is called uh fix up the shithole.

[16:19] Andrew DeWolf: The build up to that song number. Okay, I'm totally wrong on this one, but what do you got?

[16:34] Jesse McInally: Jess is like actually dying right now. Are you ready?

[16:39] Andrew DeWolf: I'm ready.

[16:40] Jesse McInally: The plot of the band's visit is in an Israeli desert town where every day feels the same. Oh something different is suddenly in the air. Dinah, the local cafe owner had a long resigned her desires for romance to daydreaming about exotic films and music of her youth. When a band of the Egyptian musicians show up lost at her cafe, she and her fellow locals take them out for the night under the spell of the night sky, their lives intertwine in unexpected ways, and this once sleepy town begins to wake up.

[17:15] Andrew DeWolf: I was close. I'm sure it wasn't there isn't a song in that called Fix Up the Shithole Town. The s the uh the idea of it is there though. That a band does come to visit, yeah, that's there. No, the band comes to visit, it's in a small town that's sucks. The small town sucks, and then the band shows up and makes everything good. I was cloud, I was close on that one, okay?

[17:48] Andrew DeWolf: Oh, fuck me. Hey, comment comment in the thing that I should get points for this one.

[17:56] Jesse McInally: Fuck you.

[17:58] Andrew DeWolf: Yeah, I'm ready for the next one. What do you got?

[18:00] Jesse McInally: This one is Caroline or Change.

[18:03] Andrew DeWolf: So the plot is it's based on a true story that may or may not have happened. I'm gonna make up a true story right now. Um South Carolina, uh, or North Carolina, one of the two. Um, during the 2008 elections, um, there was a small town that had to do some recounts, and they were one of the last places to they were like the deciding vote for the county on who wins uh uh Barack Obama or whoever he ran against that year.

[18:41] Andrew DeWolf: Um So basically it's it's Caroline or or cha or change. I don't I don't know where I'm going with this. That's a shitty plot, and you should feel bad. This is a shitty this is a shitty plot. I got nothing to do with it. Or Obama just fighting. Caroline. Caroline or change? What do we What does that even mean? Is Caroline a person?

[19:16] Andrew DeWolf: How it how can you So either Caroline Oh, okay. New plot. Alright, new plot Replace that. Let's start this. Erase scratch that, reverse it uh Caroline is this guy's current wife and he is traveling um Fuck where is he going to a small town and when he arrives there he meets a different girl and it's a love triangle story so basically he has to pick Caroline or change for someone else.

[19:59] Andrew DeWolf: Uh and one of the songs is called Sweet Caroline, and it's sung by Freddie Mercury. Um alright, that was not even close. You ready?

[20:12] Jesse McInally: I swear to God, if I was close the first time, I'm gonna be fucking pissed.

[20:20] Jesse McInally: In 1963, the gentleman family and their Afghan American maid, Caroline, live in sleepy Lake Charles, Louisiana. Caroline is drifting through life as a single mother of four, working in the service job to a white family. A fragile yet beautiful friendship develops between the young gentleman's son No Man No Noah and Caroline. Noah's stepmother, Rose, unable to give Caroline a raise, tells Caroline that she might keep the money that Noah leaves in his pockets. Caroline box and refuses to take the money from a child, but her for her own children desperately need food, clothing, and shoes. Outside the laundry room, some of the greatest social advancement that country has ever seen are being set in motion, and change is knocking on the door.

[21:08] Andrew DeWolf: God fucking damn it. How did I not guess that? Oh That was so obvious. God damn.

[21:15] Andrew DeWolf: Okay. Fair enough. Alright, Jess. Are you ready for the next one?

[21:25] Jesse McInally: I'm I you know I'm ready for the next one.

[21:28] Andrew DeWolf: Alright. You might you might have an edge on this. You've seen a little bit of this show.

[21:32] Jesse McInally: Yes.

[21:35] Andrew DeWolf: Oh, have I? Come from away.

[21:38] Jesse McInally: How have I seen a little of this show?

[21:40] Andrew DeWolf: We did a little bit of it in our Tony's video to yourself.

[21:44] Jesse McInally: Holy shit, Jess. I don't remember anything from that.

[21:49] Andrew DeWolf: Come from away. Uh oh, good God. Oh no, it's not another small town, is it?

[21:56] Jesse McInally: It's not.

[21:59] Jesse McInally: This no, no, no small towns. Come from away. Come from away. I'm gonna spoil something for you. Um literally in this plot I'm reading, it says small town.

[22:13] Andrew DeWolf: No.

[22:18] Jesse McInally: Oh my goodness. There's your hint. Alright. So there's this small town girl, and she's living in a lonely world. And she takes a midnight train going anywhere. Um I want to go off the deep end for no reason.

[22:40] Andrew DeWolf: I don't think this is the plot at all, but I want to I want to do it. The Oregon Trail. Okay, people. We're talking about wagons. We're talking about wagon trains. This person, there's a family going to California because they want some gold. Fucking goddammit, and they're gonna come from as far away as possible. See what I did there? They're gonna come from as far away as they can uh to get that gold.

[23:08] Andrew DeWolf: And they end up in a small town halfway between uh in in the Midwest, and when one of their daughters gets sick and dies, so they stay in the small town uh and they just they have to stay they have to stay there and settle down, uh, or something. I and then one of the songs is is called uh uh The Great Journey. The Great Journey on. Uh and it's about how they long to continue the journey, but they can't. You ready to know what it's really about?

[23:41] Jesse McInally: Yeah, tell me about the small town, Jess. What uh what about what happens to the small town, Jess?

[23:49] Jesse McInally: In the week following the uh September 11th attacks, it tells this true story of what transpired when 38 planes were ordered to land unexpectedly in the small town of Gander, Newfoundland, and Labrador, Canada, as part of Operation Yellow Ribbon. The characters in the musical.

[24:06] Andrew DeWolf: Oh fuck, I remember it now. I remember that now. The characters in the musical are based on and in most cases share the same names of real Gander residents as well as some of the 7,000 stranded travelers they housed and fed.

[24:21] Andrew DeWolf: I remember that. I do remember that now, uh that was something that I was not going to remember, though, I'm gonna be honest. I think we watched like a very, very small part of that. Um I do remember that though, and I did not remember the name whatsoever. Uh, but yeah. I like that musical. That musical's actually really good and got me more emotional than most musicals.

[24:48] Andrew DeWolf: In all honesty, I think that deserved the Tony more than Dear Evan Hansen. Probably not as much as Great Common, but more than Dear Evan Hansen.

[24:56] Jesse McInally: Well, I've got a dear Evan hand it to them, okay? You know, they did it pretty good. You ready for the next one, Andrew?

[25:03] Andrew DeWolf: I'm ready. Let's do it. The Drowsy Chaperone.

[25:09] Andrew DeWolf: Drowsy chaperone. Okay. Uh drunk father. Uh uh he he's uh he's an alcoholic, um, but he he gets called to go to prom with his daughter as a chaperone. Um of course he's fucking wasted though.

[25:29] Andrew DeWolf: So when he goes, I don't know where I'm going with this. When he goes, he's he's a he's drunk. There's no plot to come from this. There's nothing to come from this, Jess. This is a this is a waste of time, Jess. There's nothing coming out of this one. Uh he's drunk and he goes to the prom and the daughter's embarrassed, but then they share a beer and uh reflect on life.

[26:02] Andrew DeWolf: Is that the ending? They just get drunk together. He teaches drunk together. That's the end of the day. Yes. And it's a happy ending. Jesus Christ. Uh that's the end of the show. I don't know, I don't have anything for this one.

[26:25] Andrew DeWolf: What's the main song from the drowsy chaperone?

[26:30] Andrew DeWolf: Uh it's called Alcohol. Ain't it great? And it's and Danny DeVito plays the father. Well, that's the only cast member that makes sense.

[26:46] Jesse McInally: You're ready to hear about what the drowsy chaperone is really about.

[26:50] Andrew DeWolf: Yeah, yeah. Why don't you just go for it? Why don't you just crush my dreams?

[26:54] Jesse McInally: Yeah, that's fine. Alright. The story concerns a middle-aged asocial musical theater fan as he plays the record of his favorite musical, the fictional 1928 hit, The Drowsy Chaperone. The show comes to life on stage as he riley comments on the music story and actors.

[27:12] Andrew DeWolf: So it's like MSG3K musical theater style.

[27:17] Jesse McInally: What the fuck?

[27:20] Andrew DeWolf: So it's not even a real show.

[27:23] Jesse McInally: It is, but it isn't. So basically the whole show is someone just made some shit up like I just did.

[27:31] Andrew DeWolf: So I think I fucking nailed it. I mean, you're looking at Obi-Wan logic of a certain point of view.

[27:39] Jesse McInally: Alright, are you ready for the next one?

[27:42] Andrew DeWolf: Okay, no, I I'm still getting over this, okay? Basically the whole musical is basically a musical, but it's our show.

[27:51] Jesse McInally: Yes, like if the musical is going on, but our show is in the corner.

[27:55] Andrew DeWolf: It's the original Let's Play. The musical theater let's play. I wonder if there would ever be a Broadway show that would let us know.

[28:04] Jesse McInally: Oh, I'm the Drowsy Chaperone. And I sing it. So I don't get in trouble for saying this. I'm ready for the next one. What do you have?

[28:17] Andrew DeWolf: The Fantastics.

[28:20] Andrew DeWolf: So it's called Fantastics. Um, it's called The Fantastics, but it's spelled Sti S S T I C K S.

[28:31] Andrew DeWolf: Um. A very important social issue uh at the time that the musical was produced. Um it's about a group of people fighting for that social issue. Am I right? What led you to that decision? No, you're not right, but I'm curious. It's just it's just such a vague title and and uh it seems like a nickname that they would give to political activists. I don't know. Just this one, I I want it to be about superheroes, but it's too close to the Fantastic Four, so it's not.

[29:05] Jesse McInally: You should have made it about superheroes.

[29:07] Andrew DeWolf: You should have just embraced your.

[29:11] Jesse McInally: I should have, but I wanted to be right.

[29:14] Andrew DeWolf: Stop worrying about being right and be funny.

[29:18] Jesse McInally: I want it to be right, Jess. You wanna know what the fantastics is really about.

[29:23] Andrew DeWolf: What's the fantastics about, Jess?

[29:26] Jesse McInally: It tells an allegorical story, loosely based on the play The Romancers, concerning two neighboring fathers who trick their children, Louisa and Matt, into falling in love by pretending to feud.

[29:39] Andrew DeWolf: So it's basically Romeo and Juliet, but it's pretend.

[29:44] Jesse McInally: Kind of. But the goal is to get them to fall in love and not to avoid them falling in love.

[29:51] Andrew DeWolf: Okay. You know, that's fair. That's cool. Jess, I would have never guessed that.

[29:59] Jesse McInally: You wanna you know this, right? This is immoral.

[30:01] Andrew DeWolf: That's the funny part of this show, Andrew.

[30:04] Jesse McInally: Jess. Give me the next one. Are you ready?

[30:09] Andrew DeWolf: A funny thing happened on the way to the forum.

[30:14] Jesse McInally: A funny thing happened on the way to the forum.

[30:17] Andrew DeWolf: Yes. So it's about a politician, and she's on her way to a public event. Um she happens upon.

[30:36] Andrew DeWolf: When she happens upon uh a crowd forming in front of a city hall. And it's like a big wig politician. So she's on her way to this smaller town event, and she happens upon a protest of some sort, and she gets out, and the protesters explain their situation, and she decides to step in to step in and help all these small town folk. Um then she takes it up and and brings it brings it up to the higher level and and straightens everything out for these people that she just happened to meet on the way to her event. Um and one of the songs is called Uh Think About Think About the Little Guy. It's a very blue-collar show.

[31:32] Andrew DeWolf: I have nothing for this, Jess.

[31:33] Jesse McInally: I think that was pretty good, but it's not anywhere close to what it was.

[31:38] Andrew DeWolf: What is it?

[31:39] Jesse McInally: Inspired by the fullers of ancient Roman playwright Plato's, specifically Sudilus, Miles Glorious, and Monsterelia. Um, the musical tells the bawdy story of a slave named Sudalus and his attempts to win freedom by helping his young master woo the girl next door.

[31:58] Andrew DeWolf: What the fuck? This musical is fucking funny.

[32:03] Jesse McInally: Isn't uh isn't Plato a fascist?

[32:06] Andrew DeWolf: I have no idea, dude. I am hyper ready for the next one.

[32:10] Jesse McInally: Alright, I think you might get this one. Are you ready?

[32:12] Andrew DeWolf: I'm ready. Let's do it.

[32:14] Jesse McInally: Gypsy.

[32:15] Andrew DeWolf: It's obviously about a uh, you know, a band of gypsies traveling around. Uh somewhere, maybe in maybe United States, but I'm gonna say Europe. It's about a band of gypsies traveling around in Europe. They go to a small town and they perform, and they get accused of corrupting one of the youth. But in reality, the youth has fallen in love with one of the young gypsy girls, and he stows away and he wants to travel with the gypsies. Um Gypsy Road.

[32:58] Jesse McInally: You're wrong.

[33:01] Andrew DeWolf: Okay. I I I of course I'm wrong, Jess. Are you ready for what Gypsy's actually about?

[33:07] Jesse McInally: What's Gypsy actually about, Jess?

[33:10] Jesse McInally: Gypsy is loosely based on the 1957 memoirs of Gypsy Rosley, the famous striptease artist, and focuses on her mother Rose, whose name has become synonymous with the ultimate show business mother. It follows the dreams and efforts of Rose to raise two daughters to perform on stage and cast an affectionate eye on the hardships of show business life.

[33:31] Andrew DeWolf: I feel like my show would have been a decent, but I'm sure this one's pretty good.

[33:34] Jesse McInally: I love Gypsy. I think it's one of the better shows to ever hit Broadway.

[33:40] Andrew DeWolf: I'm ready for the next one. Let's go.

[33:42] Jesse McInally: I love you. You're perfect. Now change.

[33:43] Andrew DeWolf: Okay, well, that sounds like something like some sort of crazy girlfriend would say.

[33:50] Jesse McInally: And or boyfriend. Not trying to be sexist here.

[33:53] Andrew DeWolf: You're in the right department.

[33:57] Jesse McInally: Okay. Uh okay, here we go. Here we go. Brainstorming.

[34:04] Andrew DeWolf: Ooh. Okay. We've got um. A couple that's been together for a no, they're not together yet. A couple of people that meet in a coffee shop. Um the girl is a little bit strange. Um, you know, she's got the the the manic pixie kind of thing going, you know what I'm saying? Um the guy falls in love with her, but realizes that he can't stay with her if she's a fucking weirdo. Um, and essentially it's just a romantic comedy from there. Um there's like a there's a there's a guy friend, and there's a girlfriend uh that they're friends with, uh, and they are perfect for each other just as they are. So they're like the foil. They're they're they're the opposite. Um in the end, the guy and the girl don't end up together because uh they're not right for each other, you know?

That's just not how it not how it works. Um and w in one of the songs is called uh Uh I feel like the I feel like the big hit would be a self-titled in this in this case. It's a longer title, I guess. I love you but now but you're perfect but change now. Uh also the plot that I described is is loosely based on that one Jim Carrey movie. Uh okay. What what I can't even think what fucking Jim Carrey movie that is.

[35:50] Andrew DeWolf: Eternal Sunshine of the Spotless Mind.

[35:53] Jesse McInally: Oh fuck, yeah, maybe that that makes sense now. Um without like the mind erasure plot, like that sh that story becomes generic.

[36:03] Andrew DeWolf: Very, very generic, yes.

[36:04] Jesse McInally: Jim Carrick. I I mean it's a romantic comedy plot though. Like i I feel like the actual plot to this musical is probably a romantic comedy plot. I love you, you're perfect. Now change is presented in the form of a series of vignettes connected by the central theme of love and relationships.

[36:26] Andrew DeWolf: Are they comedic?

[36:27] Jesse McInally: Relatively.

[36:29] Andrew DeWolf: Okay. I was at least a little bit close.

[36:32] Jesse McInally: You're in the right territory, but I gave you the hint.

[36:36] Andrew DeWolf: What was the hint?

[36:38] Jesse McInally: You're in the right territory.

[36:41] Andrew DeWolf: Well, yeah, but I was gonna guess that either way.

[36:44] Jesse McInally: Right. Right, right, right, right. Are you ready for the next show?

[36:46] Andrew DeWolf: What do you got next? I'm ready.

[36:50] Jesse McInally: Kiss of the Spider Woman.

[36:53] Andrew DeWolf: But Kiss of the Spider Woman Um is probably the title of a Spider-Woman comic, but we all know that there are no Spider-Man musicals. That would be absurd.

[37:04] Jesse McInally: That'd be crazy. It would be really weird if we had like a super special episode of that sometime in the new year where we're going to be able to do that.

[37:11] Andrew DeWolf: There are no Spider-Man musicals.

[37:14] Jesse McInally: They do not exist.

[37:15] Andrew DeWolf: That would be fucking stupid.

[37:17] Jesse McInally: That would be fucking stupid. So instead the plot is about um It's about Arachne, um, who is a uh a weaver that Athena actually turns into a spider, the first spider, um, which is why spiders are called Arachne. Um so it's actually the uh it's an ancient Greek uh myth. Um put to life on the stage. Um and it's actually really interesting how they do it, and some of the songs actually hearken back to like uh ancient Greek style. So it's very a very interesting show, and I think they did it really well.

[37:54] Andrew DeWolf: What's one song?

[37:56] Jesse McInally: Oh, one of one of the songs. Um it's called uh The Weaver of Fates. And it's uh sung sung by um sung by both uh Arachne while she's just a weaver, um uh when she is facing off against Athena to see who is actually the better uh weaver.

[38:19] Andrew DeWolf: I like your plot. I like that story a lot.

[38:24] Jesse McInally: Yeah, it was it was definitely a good show. You ready for what this actually is?

[38:31] Andrew DeWolf: What is it actually about?

[38:33] Jesse McInally: In the nineteen sixties in Argentina, a time of civic and economic and cultural turmoil, window dresser Luis Alberto Molina, is in his third year of his eight year prison sentence for sexual deviancy and corrupting a minor. He lives in the fantasy world of cinema, often visited by the beautiful Award Aurora, his favorite film star. And while he loves her, he fears the Spider Woman, a vampy diva who kills men with her kiss. One day, Marxist revolutionary Velishin Ariguai Paz is pushed into the cell after being tortured. And even draws a line down the center of the cell to keep Melina away from him. But Belina is ca a caring man and tends to Valentine after his brutal torture, and even keeps Valentin's secrets while sharing his daydreams of Aurora. The men develop a trusting relationship that extends beyond simple friendship into a true love and dedication to each other.

[39:35] Andrew DeWolf: Marxist propaganda.

[39:48] Jesse McInally: Alright, we got a couple more. You ready?

[39:50] Andrew DeWolf: I got I'm I'm ready. I think I hit the nail on the head with that last one, though. I thought that was good.

[39:54] Jesse McInally: Alright, you ready for this one?

[39:58] Andrew DeWolf: I'm ready.

[40:04] Jesse McInally: Passion.

[40:05] Andrew DeWolf: Passion.

[40:06] Jesse McInally: Okay. Passion.

[40:09] Andrew DeWolf: What the fuck?

[40:12] Jesse McInally: Now I'm just thinking of Passion of the Christ.

[40:16] Andrew DeWolf: Okay. Passion is about a man who is in love, is thoroughly in love with his wife, and they are about to have a new child. But unbeknownst to him, the wife is uh sleeping around with his neighbor and best friend. Um the wife uh tries to frame the husband um for beating for beating him her um by giving him alcohol when he doesn't drink. Um by the end of the show, the man is driven by his uh wife's deception and uh her involvement with with his best friend and his discovery of this to suicide. Um, and it's really a tragic ending. One of the songs is called You Are My Rose.

[41:23] Jesse McInally: You know what? Not a bad plot. Um, I like it.

[41:25] Andrew DeWolf: You're wrong, but I like it.

[41:29] Jesse McInally: Alright, I literally it was just I was just doing the room. Uh didn't even pick it up.

[41:37] Andrew DeWolf: Shit. Shit! God damn it!

[41:41] Jesse McInally: Yes, you've been had what's the actual plot?

[41:50] Andrew DeWolf: Alright, I don't even have to look this one up. Um it's one of my favorite musicals of all time. Basically, it's about a soldier named Giorgio who is stationed somewhere, and his like superior officer's cousin is this ugly, sick woman that's gonna die soon, and she falls in love with Giorgio in like the most like imposing, annoying way ever, and eventually just wears him down so much that he has to fall in love with her too.

[42:19] Jesse McInally: It's a little bit rapey.

[42:21] Andrew DeWolf: It's not rapey because it's not sexual, it's just like passionate, which is the title.

[42:26] Jesse McInally: Okay. You know what, Jess, you're right. I've never seen it, so you're you're probably right.

[42:34] Andrew DeWolf: Alright, you're ready for the next one.

[42:36] Jesse McInally: I'm ready for the next one.

[42:38] Andrew DeWolf: The prom.

[42:40] Jesse McInally: Prom. Well, we've already watched Carrie, so it's not that. Um let's see.

[42:46] Jesse McInally: Oh, okay. Um, I've already done the drunk dad plot. Uh damn, I can't do that again. Let's see. Okay. I'm trying to think of something creative to do with this one, but honestly, with a title like prom, I mean, there's certain elements you have to have in there. You know, they have to there has to be a prom. It has to be some sort of high school musical. Um and uh, you know, you have to stick with the status quo. So I feel like I'm just not sure what I'm gonna do with it here. Let's see. Okay. It's about a nun. Never mind, not that. Okay. I'm gonna go crazy with this one. Crazy. Okay. It's it's very it's a it's a progressive musical.

[43:53] Jesse McInally: Right direction. What's that? Right direction. It's progressive. Um because it is about an interracial couple trying to go to prom. Um in the I I really want to help and involve because you're going in the right direction. You just gotta think about think about it a little differently. Think more modern. Okay. It's about there's multiple proms. There's one for whites and nope nope. I I really want you to get this one, so gay?

[44:24] Andrew DeWolf: Mm-mm.

[44:26] Jesse McInally: Yeah. Okay. It's about a gay couple trying to go to prom. Um I don't have anything else. That's what it's about. You've got that much. Try to figure out the rest. The the high school doesn't want to allow it, so they they host they they try to separate and have two proms. One one for straights, one for gays, and that's a total fucking disaster. Uh in and the town freaks out because oh my god, gay people are exist, and oh my goodness, ah, degeneracy. Uh or something like that. I don't fucking and uh and and in the end, uh they the the two the love interests, which I'm not sure if they're men or women yet. I I actually don't know. Um they haven't decided. I'm gonna just gonna pick one. They're they're women, it's lesbians.

[45:20] Andrew DeWolf: Uh they they decide they don't need the prom to be happy, so they they just have they have a prom to themselves. And uh I don't know. I don't know what one of the songs would be. Alright, are you ready for the real plot?

[45:34] Jesse McInally: How close was that?

[45:36] Andrew DeWolf: Four fading Broadway stars are in desperate need of a new stage, so when they hear that trouble is brewing around a small town Indiana prom and the press is involved, they know that it's time to put on a spotlight on the issue and themselves. The town's parents want to keep the dance on the straight and narrow, but when one student wants to bring her girlfriend a prom, the entire town has a date with Destiny. Now Broadway's Brassius are coming to join the fight as they are ready to kickball change the world.

[46:05] Jesse McInally: Kickball change ballpark. I was gonna I'll give you that one, but I did help quite a bit.

[46:14] Andrew DeWolf: Yeah hell I mean I was on the right path. I could have just went with just a a generic prom romance but I I knew it had to be more than that. Alright we're down to the last three give me ready let me add 'em this one is this one is you're in town you're in town urine as a P town What the fuck?

[46:44] Jesse McInally: Yes This was like the most request on our first one like why didn't you pick you in town? I'm like you're right what in time Oh when you're in town I like to piss cause you're in town uh I don't What the fuck you're in town?

[47:07] Andrew DeWolf: Yep.

[47:07] Jesse McInally: Okay. Um this is about another small town.

[47:15] Andrew DeWolf: It's musicals love small towns.

[47:18] Jesse McInally: There's something about small towns that they they just love it.

[47:21] Andrew DeWolf: Um keeps the ensemble small.

[47:25] Jesse McInally: That's true. Alright, so you got a small town. Um and they fuck. What's the I'm trying to think if the town is just called Urine Town or if it's an event that happens.

[47:43] Andrew DeWolf: Okay, so I think that um that fuck. Okay, so there's something wrong with their with their sewage uh treatment plant.

[48:01] Andrew DeWolf: Um which this town is one of the main exporters of sewage. So if something goes wrong with their sewage treatment plant, they don't have any access to uh to their main source of money. Um so basically something goes wrong with it, and they have to work together to raise the funds to repair it.

[48:27] Andrew DeWolf: And in order to do so, they have to host a event, which they invite a bunch of tourists for, and they market their town as urine town because their main export is sewage. Um so people come to the event and they piss into the reservoir or something, and that's that's the event that they have.

[48:53] Jesse McInally: I don't just what the fuck what kind of title is this? What like honestly?

[49:00] Andrew DeWolf: Are you ready for what it's really about?

[49:00] Jesse McInally: Okay, I'm gonna pick a song title, you know, cause uh Do it.

[49:00] Andrew DeWolf: Uh do it. Uh the the title of the song is is uh that's a lot of piss. Quoting Matthew Broderick and the best um film ever.

[49:16] Jesse McInally: Yeah, starring starring Matthew Broadwick Broderick. Uh my show's terrible.

[49:22] Andrew DeWolf: Uh that's don't ever make that show.

[49:25] Jesse McInally: Uh what what is this what is this fucking about?

[49:28] Andrew DeWolf: In the not so distant future, a terrible water shortage and 20-year-old 20-year drought has led to the government ban on private toilets and the peripheration of paid public toilets, owned and operated by a single megalomaniac company.

[49:44] Andrew DeWolf: The Urin Good Company. If the poor don't obey the strict laws prohibiting free urination, they'll be sent to the dreaded and mysterious urine town. After too long under the heel of the malevolent card Caldwell B. Cladwell, the poor stage revolt, led by a brave young hero fighting tooth and nail for the freedom to be wherever you like, whenever you like, for as long as you like, and with whomever you like. A brilliant satire molded off the plays of Kurt Wheel and Bert Lolt and Bert Bertolt Brecht.

[50:17] Jesse McInally: I I know this. I just I'm too drunk to say it.

[50:20] Andrew DeWolf: Berthold Grecht.

[50:22] Jesse McInally: You're in town is a wickedly funny, fast-paced, and surprisingly intelligent comedic romp.

[50:28] Andrew DeWolf: So somehow I was actually correct about the monetization of sewage.

[50:33] Jesse McInally: Yes.

[50:34] Andrew DeWolf: Oh my god, of all the things I was right about, that's the one.

[50:39] Jesse McInally: Oh, okay. Well, there you go. That's that's an interesting one.

[50:45] Andrew DeWolf: I would have never guessed that.

[50:46] Jesse McInally: Me neither.

[50:47] Andrew DeWolf: In a million years.

[50:49] Jesse McInally: But you didn't come too far off.

[50:51] Andrew DeWolf: I do like the name You're in Good Company, though.

[50:57] Jesse McInally: Are you ready for the next one?

[51:00] Andrew DeWolf: Oh, I'm fucking ready, boy.

[51:03] Jesse McInally: Waitress.

[51:05] Andrew DeWolf: LA, okay? In LA, there's a girl who wants to be an actress, and she's working as a waitress. Some Hollywood actor shows up at her at her restaurant, and they they fall in love, or he falls in love with her, but she's not in love with him, but she wants to use him as a way to get into the acting business.

[51:28] Andrew DeWolf: Um basically you got this kind of awkward romance where she's not really in love with him, but she wants to use him for stuff. Um it's fucked that's fucked up.

[51:44] Jesse McInally: Uh but uh that's what happens.

[51:48] Andrew DeWolf: I don't fucking know. Jess, what these are so vague, man.

[51:52] Jesse McInally: That's the joy of Broadway theater.

[51:55] Andrew DeWolf: Waitress? What is that even?

[51:57] Jesse McInally: Okay.

[51:58] Andrew DeWolf: Uh one of one of the songs is uh is called Uh She's She's such a She's such a pretty thing. I can't think of a funny title.

[52:08] Jesse McInally: Okay.

[52:10] Andrew DeWolf: Alright.

[52:12] Jesse McInally: I'm off it today, man. This is bad.

[52:17] Andrew DeWolf: The plot of musical tells the story of Jenna Hunterson, a waitress in an abusive relationship with her husband Earl. When Jenna unexpectedly becomes pregnant, she begins an affair with her gynecologist, Dr. Jim Pomadder, looking for ways out. She sees a pie contest, and the grand prize is her chance.

[52:39] Jesse McInally: What the fuck?

[52:43] Andrew DeWolf: And the music is written by Sarah Barellas, and I like it.

[52:46] Jesse McInally: Okay.

[52:47] Andrew DeWolf: Um.

[52:49] Jesse McInally: Alright, we got one last one.

[52:53] Andrew DeWolf: Are you ready? This could be your saving grace, Andrew.

[52:56] Jesse McInally: This is gonna be my point.

[52:58] Andrew DeWolf: It's called War Paint.

[53:02] Jesse McInally: War paint.

[53:05] Andrew DeWolf: Um it's a Vietnam story. Uh guy was drafted into Vietnam. Um initially he's not into it at all. But throughout boot camp, uh, he starts to develop like a bloodlust almost.

[53:20] Andrew DeWolf: Um well, not at boot camp. At boot camp, he's not into it, but when he actually gets there, after his first fight, he develops a total bloodlust and he just wants to kill. Um he uh by by the end of the war, when he goes back home, um, he's so absolutely fucked up by the war effort that he can no longer function in normal society.

[53:48] Andrew DeWolf: Um and there's some sort of tragic ending where he either dies or ends up in a menstrual institution or in jail or something like that. Um one of the big songs is called Um The Wheel to Kill.

[54:04] Jesse McInally: Alright.

[54:05] Andrew DeWolf: Um the musical focuses on the lives and rivalry between 20th century female entrepreneurs Elizabeth Elizabeth Arden and Helena Rubinstein.

[54:19] Jesse McInally: Oh's good.

[54:31] Andrew DeWolf: Ah, that was great.

[54:33] Jesse McInally: I think you have some award-winning ideas here, Andrew.

[54:36] Andrew DeWolf: I think you're gonna make some money turning these into musicals.

[54:39] Jesse McInally: I don't think we topped your dog fight though with your right man.

[54:42] Andrew DeWolf: Dude, the dog fight is actually a great idea, okay?

[54:45] Jesse McInally: And the fact that that doesn't exist already is a fucking tragedy.

[54:49] Andrew DeWolf: Get on it, Pesic and Paul.

[54:51] Jesse McInally: If if you guys don't make it, I'm making it, okay? Somebody's making this shit.

[54:55] Andrew DeWolf: Somebody's making it.

[54:56] Jesse McInally: You're right, man.

[54:57] Andrew DeWolf: Uh I'll write the song.

[54:59] Jesse McInally: You know?

[55:00] Andrew DeWolf: Oh, you're right.

[55:03] Jesse McInally: Brother, you're right.

[55:06] Andrew DeWolf: Brother.

[55:07] Jesse McInally: If we can't fly, then who can fly and we'll be right, brother.

[55:14] Andrew DeWolf: I don't know. I'm I'm making this up as I go. This is bad.

[55:18] Jesse McInally: Uh okay. Is that all we've got?

[55:22] Andrew DeWolf: Yeah, that's all we got.

[55:25] Jesse McInally: Oh boy. Howdy did I not get any of those.

[55:29] Andrew DeWolf: Except for like actually I got like two in the beginning.

[55:32] Jesse McInally: Yeah, uh it was not an easy road for you, Andrew, but I'm sure that they enjoyed themselves trying to watch you falter and guess. Either way, thank you guys for listening. Um, we're really happy to have you guys still like into 2019.

[55:49] Jesse McInally: We're in a new world now, we got guys. Let's go. Please subscribe to us on iTunes, Spotify, Stitcher. We're all at musicals with cheese. Our Twitter is Mus our Cheesy Musicals.

[56:01] Jesse McInally: Um, our Instagram is Musical Theatre Lives, as well as our YouTube page. Our email is musical theater lives at gmail.com. Our title card is created by Jolene Casco. Her Instagram is Jolene Casco. Please give her a like, send her some love. She deserves it. She's incredible.

[56:17] Andrew DeWolf: Oh new world.

[56:20] Jesse McInally: A new fantastic point of view.

[56:27] Andrew DeWolf: Yes.

[56:28] Jesse McInally: Um, I'm so excited for the new um Aladdin film.

[56:33] Andrew DeWolf: We are all really excited for the new Aladdin film.

[56:35] Jesse McInally: I'm not sure. With new songs by Pesic and Paul, famous for um Dear Evan Hansen and La La Land.

[56:43] Andrew DeWolf: Yeah, we're also gonna have songs by Will Smith, famous for um after Earth.

[56:48] Jesse McInally: Thanks for watching, everyone.

[56:50] Andrew DeWolf: Thank you guys.

[56:51] Jesse McInally: We'll see you next week on Musicals with Cheese.