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Alex Wyse

I met Alex Wyse 3 or 4 years ago after an event and we became quick friends. Aside from being hilarious, he has such a wealth of experience and the perspective he’s gained from all the work he’s done is so informative and, I think, helpful for anyone who’s trying to figure out how to navigate a career in entertainment.

1 h 13 mins
11/20/19

About

I met Alex Wyse 3 or 4 years ago after an event and we became quick friends. Aside from being hilarious, he has such a wealth of experience and the perspective he’s gained from all the work he’s done is so informative and, I think, helpful for anyone who’s trying to figure out how to navigate a career in entertainment. He’s worked on and off-broadway, in television, film, as a producer and most recently he and his writing partner, Wesley Taylor, released the third season of their award winning web series INDOOR BOYS. I thought this would be a perfect time to sit down and reflect with Alex on where he’s at. He was pretty insistent with me that this not be a rundown of his resume, which I was thrilled to hear. I wasn’t quite sure where the conversation would take us, but we found ourselves talking about self-worth, the definition of success, creating your own path, mothers and sons, and much much more. Wether you know Alex or not, I think you’re really going to come to appreciate what’s he’s got to share.

On television, Wyse has appeared in multiple roles since 2010 including Bored to Death, Switched at Birth, The Bold and the Beautiful, Marvel's Iron Fist, and Masters of Sex. On film, he appeared opposite America Ferrera in X/Y. With Wesley Taylor, he co-created, wrote, directed, and starred in the web series Indoor Boys. To date, it has been nominated for eighteen Indie Series Awards and won six, including Best Web Series – Comedy, Best Writing – Comedy, and Best Lead Actor – Comedy for Wyse. In theater, he performed in various regional productions before making his Broadway debut in Lysistrata Jones, which ran at the Walter Kerr Theatre from 2011 to 2012. Also on Broadway, he played schoolboy Georg Zirschnitz in the Deaf West Theatre's production of Spring Awakening, and in 2018, he joined the musical Waitress, as Ogie. Off-Broadway, he has been seen in Lysistrata Jones, Triassic Parq, Bare, and Ride the Cyclone. In 2013–2014, he toured with the national company of Wicked, playing the role of Boq. And in 2015, he appeared opposite Evan Rachel Wood and Rumer Willis in For the Record: Dear John Hughes in Los Angeles. He also co-produced the Broadway transfer of Heidi Schreck's play What the Constitution Means to Me, which opened at the Helen Hayes Theater on March 31, 2019.

The Come Up is a podcast that holds space for honest conversations about the reality of being a growing artist in the entertainment industry today. The myth of "making it" tells us that our happiness and fulfillment is dependent on a specific outcome when the truth is that there is no moment of arrival - the journey is never ending. This podcast will serve as an archive of individual perspectives and a source of inspiration for anyone navigating their own creative path. It's an opportunity to reflect on where we've been, where we're at, and where we're going.

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