I am thrilled to announce that today’s episode is a Broadway Nation take over!

Since I am currently wearing a number of hats including returning to Seattle's 5th Avenue Theatre to co-direct Irving Berlin’s White Christmas (which started rehearsals this week), AND working on deadline for my upcoming book (also titled Broadway Nation) but still in the midst of all that firmly committed to keeping new episodes of this podcast rolling out on a regular basis — this week I asked my frequent co-Host and audience favorite, ALBERT EVANS to take over the podcast and talk about any musical theater topic of his choice.

And I couldn’t be happier that he selected: “Pastiche Musicals.”

Many, many, musicals contain "pastiche songs" — new compositions that are designed to evoke or mimic song styles from the past. Stephen Sondheim, is a genius at these, and may be the most famous and adept creator of them. He loves writing pastiche and every Sondheim show includes at least one example. In Follies, of course, half the score is pastiche!

Albert talks a bit about those, but his main focus in on musicals in which the entire show — book, music & lyrics — is pastiche. Most especially, the West End and Broadway hit, The Boyfriend, and the long running off-Broadway sensations Little Mary Sunshine, and Dames At Sea.

All three of these musicals are tuneful, hilarious, and extremely gay — in every sense of that word!

And with Albert as your guide I know that you will have a wonderful time discovering or reinvigorating your own passion for pastiche!

Become a PATRON of Broadway Nation!

This episode is made possible in part through the generous support of our Patron Club members including one of our newest members: Lois Hunter.

If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron.

If you are a fan ofBroadway Nation, I invite you too to become a PATRON!

For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.

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