1
00:00:02,102 --> 00:00:04,270
And hallmark movies may look effortless,
2
00:00:05,538 --> 00:00:07,40
but don't be fooled.
3
00:00:07,474 --> 00:00:12,946
There's a very special acting skill set
behind all that charm and lightness.
4
00:00:13,880 --> 00:00:18,585
If you've ever wondered why some actors
pop in these auditions while others
5
00:00:18,918 --> 00:00:19,519
fall flat,
6
00:00:20,20 --> 00:00:26,226
today's episode is for you, we're
breaking down the hallmarks of Ram com acting.
7
00:00:27,160 --> 00:00:28,628
See what I did just there,
8
00:00:29,529 --> 00:00:34,34
what casting directors are really
looking for and how you can prepare to
9
00:00:34,200 --> 00:00:36,803
shine in this unique genre
10
00:00:37,470 --> 00:00:38,405
let's dive in
11
00:00:39,139 --> 00:00:41,441
this is casting actor's castle.
12
00:01:06,99 --> 00:01:08,735
Well, hello, and welcome back to
casting actor's cast.
13
00:01:08,968 --> 00:01:12,605
The podcast for actors who want to
sharpen their audition skills, book
14
00:01:12,839 --> 00:01:17,143
more roles and understand the industry
from the inside out.
15
00:01:17,477 --> 00:01:20,146
Now today we're diving into a genre
that's,
16
00:01:20,747 --> 00:01:23,850
I don't know, I think it's deceptively
challenging,
17
00:01:24,184 --> 00:01:28,154
yet absolutely essential for so many
working actors,
18
00:01:28,755 --> 00:01:31,991
romantic comedies in hallmark style
films.
19
00:01:32,492 --> 00:01:36,596
I'm happy to let you know that we've
just completed our 4th hallmark movie.
20
00:01:37,297 --> 00:01:44,4
And of course, our background in film
has been like a long list of Ram coms.
21
00:01:44,504 --> 00:01:46,706
See these projects, I think,
22
00:01:46,973 --> 00:01:48,274
have their own flavor,
23
00:01:49,476 --> 00:01:53,546
their light, they're charming, their
heart felt, and often they're just
24
00:01:53,613 --> 00:01:54,514
sprinkled with humor.
25
00:01:54,914 --> 00:01:56,750
And I have to say it predictability.
26
00:01:58,351 --> 00:01:59,519
But here's the catch.
27
00:02:00,186 --> 00:02:02,889
What works in a dramatic audition,
28
00:02:03,556 --> 00:02:04,491
doesn't work here.
29
00:02:05,291 --> 00:02:08,261
If you overplayed the depth, you miss
the levity.
30
00:02:08,828 --> 00:02:13,633
If you underplay it, you risk the
seeming flat or uninspired
31
00:02:14,834 --> 00:02:16,636
part of the work.
32
00:02:17,370 --> 00:02:20,306
So how do you strike that perfect
balance?
33
00:02:21,141 --> 00:02:25,545
In this episode, we're going to explore
the hallmarks of Ram com acting, the
34
00:02:25,779 --> 00:02:29,49
specific skill set that helps actors
shine in both auditions
35
00:02:30,250 --> 00:02:31,184
and onset.
36
00:02:31,851 --> 00:02:35,855
Now, whether you're preparing for a
hallmark Christmas movie or a witty Ram
37
00:02:36,89 --> 00:02:36,489
com pilot,
38
00:02:37,557 --> 00:02:42,28
you'll walk away with practical tools
to deliver the style casting and
39
00:02:42,95 --> 00:02:44,631
direction directors are looking for.
40
00:02:45,298 --> 00:02:48,435
But first, this is that moment of the
conversation where I get to say, thanks
41
00:02:48,568 --> 00:02:49,869
for tuning in to casting actors.
42
00:02:50,103 --> 00:02:50,270
Cast.
43
00:02:50,570 --> 00:02:52,439
It's been a pleasure bringing these to
you.
44
00:02:52,672 --> 00:02:56,443
I'm Geoffrey Dreisbach, and I've been
presenting these podcasts for several
45
00:02:56,576 --> 00:02:57,143
years now.
46
00:02:57,711 --> 00:02:59,479
And I'm excited that you are here.
47
00:02:59,713 --> 00:02:59,879
Listen.
48
00:03:00,13 --> 00:03:02,749
If you haven't done so already, I
invite you to check out the website,
49
00:03:03,450 --> 00:03:04,818
casting actors cast.
50
00:03:05,385 --> 00:03:06,820
All one word dot com.
51
00:03:07,153 --> 00:03:08,755
Casting actors cast that.
52
00:03:08,822 --> 00:03:12,125
Tom there you're going to find a whole
archive of the past episodes.
53
00:03:12,759 --> 00:03:14,27
You're also going to see some freebies.
54
00:03:14,427 --> 00:03:18,498
If you fill out that form that says,
dive into the tallad pool, by the way,
55
00:03:18,665 --> 00:03:21,468
asks for your email address and your
name that's it.
56
00:03:21,768 --> 00:03:26,272
I don't Spam you, or send you junk or
anything like that at all, but it's
57
00:03:26,272 --> 00:03:28,208
just a great way for me to know that
you're out there.
58
00:03:28,341 --> 00:03:34,180
Also, would you please consider leaving
a like and a share and a thumbs up, or
59
00:03:34,581 --> 00:03:35,482
whatever you can do?
60
00:03:36,249 --> 00:03:39,386
Because as long as I know that there
are actors out there who enjoy this
61
00:03:39,452 --> 00:03:43,156
information and enjoy the work as I
present it, then I am going to continue
62
00:03:43,390 --> 00:03:47,193
to doing it, and I appreciate you being
here.
63
00:03:47,694 --> 00:03:48,128
All right.
64
00:03:48,261 --> 00:03:50,730
Now let's jump into the subject.
65
00:03:51,197 --> 00:03:51,831
The
66
00:03:52,499 --> 00:03:58,271
reality of doing these kinds of
projects often don't really get a lot
67
00:03:58,271 --> 00:03:59,539
of time spent on them.
68
00:04:00,173 --> 00:04:03,309
And I'm happy to say that my good
friends at actor's connection are
69
00:04:03,376 --> 00:04:04,344
actually going to
70
00:04:05,478 --> 00:04:08,515
let me do an intensive on this very
subject.
71
00:04:09,49 --> 00:04:11,951
So if you're hearing this, I look
forward to seeing you at the actor's.
72
00:04:12,252 --> 00:04:12,952
Connection.
73
00:04:13,553 --> 00:04:16,589
Intensive that's going to be coming up
in a few weeks.
74
00:04:16,890 --> 00:04:19,325
So, actors, connection, dot comslash,
New York.
75
00:04:19,559 --> 00:04:19,859
All right.
76
00:04:19,959 --> 00:04:22,729
So first of all, let's understand the
genre
77
00:04:23,697 --> 00:04:28,268
Ram kam's romantic comedies and
hallmark style films.
78
00:04:28,968 --> 00:04:30,870
You know, they're really based
79
00:04:31,137 --> 00:04:32,305
in optimism.
80
00:04:32,906 --> 00:04:34,708
They really are meant to
81
00:04:35,475 --> 00:04:37,911
show charm and simplicity.
82
00:04:39,212 --> 00:04:40,280
The stakes are emotional,
83
00:04:41,381 --> 00:04:42,515
but not tragic.
84
00:04:42,816 --> 00:04:43,516
Conflicts
85
00:04:44,117 --> 00:04:44,984
resolve with hope.
86
00:04:45,618 --> 00:04:47,854
They resolve with humor and heart.
87
00:04:49,456 --> 00:04:50,890
Also consider the audience.
88
00:04:51,624 --> 00:04:52,25
This is valuable.
89
00:04:53,159 --> 00:04:57,597
Audiences really do watch for the
connection between characters,
90
00:04:58,264 --> 00:05:00,166
the light hearted chemistry.
91
00:05:00,734 --> 00:05:03,536
And of course, audiences love these
movies.
92
00:05:03,870 --> 00:05:04,504
I was amazed
93
00:05:05,872 --> 00:05:06,740
at how popular
94
00:05:07,941 --> 00:05:09,309
the homear channel is.
95
00:05:09,709 --> 00:05:11,77
It's not just around Christmastime.
96
00:05:11,778 --> 00:05:13,79
It is all year round
97
00:05:14,280 --> 00:05:16,316
that you can watch Christmas movies.
98
00:05:16,983 --> 00:05:18,418
But you know what it is, it's escapism.
99
00:05:19,953 --> 00:05:21,688
It's not heavy emotional
100
00:05:22,756 --> 00:05:23,690
exploration.
101
00:05:24,891 --> 00:05:28,128
So the person who's watching it can
identify with these characters.
102
00:05:28,428 --> 00:05:30,830
And of course, the acting style is very
authentic.
103
00:05:31,531 --> 00:05:32,265
But guess what?
104
00:05:32,332 --> 00:05:32,966
It's not
105
00:05:33,400 --> 00:05:34,401
heavy handed,
106
00:05:35,535 --> 00:05:38,571
because truthful reactions really do
matter in
107
00:05:39,372 --> 00:05:39,806
these scripts.
108
00:05:40,106 --> 00:05:43,343
But without deep dramatic layering,
109
00:05:44,577 --> 00:05:49,315
you don't need to kind of find the
undercurrent or the subtextual elements
110
00:05:50,116 --> 00:05:51,184
of these scripts.
111
00:05:51,785 --> 00:05:57,290
The way that it works for actors is
that you play the moment, you play it lightly.
112
00:05:57,957 --> 00:06:02,95
See these scripts, they thrive on
buoyancy and rhythm.
113
00:06:02,896 --> 00:06:04,464
And of course, the humor is subtle
114
00:06:04,998 --> 00:06:09,135
it's often very situational, but it's
not joke driven.
115
00:06:10,170 --> 00:06:15,8
The smile in your voice and your eyes
is really something that you need to
116
00:06:15,75 --> 00:06:18,678
think about, not only when you're
auditioning, but when you book the job
117
00:06:18,745 --> 00:06:19,646
and you're on the set.
118
00:06:20,180 --> 00:06:21,81
I love that phrase.
119
00:06:21,314 --> 00:06:23,983
Smiling with your eyes and your voice.
120
00:06:24,918 --> 00:06:25,852
There's something very
121
00:06:27,387 --> 00:06:28,755
fun about doing that.
122
00:06:29,55 --> 00:06:30,357
Now, I know some of you have
123
00:06:31,558 --> 00:06:34,994
worked really, really hard and you're
acting on your dramatic elements,
124
00:06:36,96 --> 00:06:38,765
your subtextual elements, your
emotional conflict.
125
00:06:39,532 --> 00:06:40,467
But you know what,
126
00:06:41,134 --> 00:06:42,402
as a change of pace,
127
00:06:43,636 --> 00:06:47,374
this might be a really fun thing to get
into, really.
128
00:06:48,341 --> 00:06:50,10
So the way I think of it is chemistry
129
00:06:51,77 --> 00:06:51,544
over complexity.
130
00:06:52,178 --> 00:06:53,947
I think that's the best answer, because
relationships
131
00:06:55,48 --> 00:06:58,718
matter more than internal turmoil.
132
00:06:59,719 --> 00:07:02,22
So here are some audition preparation
tips.
133
00:07:02,756 --> 00:07:03,623
If you happen to have
134
00:07:04,991 --> 00:07:09,863
an audition for a hallmark movie or a
light romantic comedy, here's a couple
135
00:07:09,929 --> 00:07:10,96
of suggestions.
136
00:07:11,131 --> 00:07:14,567
One is when you, during your script,
read through,
137
00:07:15,635 --> 00:07:18,405
really, chart out and identify the beats
138
00:07:19,372 --> 00:07:20,6
of those,
139
00:07:20,507 --> 00:07:22,242
what I call charm moments,
140
00:07:23,76 --> 00:07:26,680
where warmth, where there's, humor
where there is some kind of connection
141
00:07:27,80 --> 00:07:28,181
that lifts the scene.
142
00:07:28,815 --> 00:07:30,83
Make a note of that.
143
00:07:31,217 --> 00:07:31,851
The second suggestion,
144
00:07:32,919 --> 00:07:36,790
as far as tips are concerned is
practice, controlled energy.
145
00:07:37,791 --> 00:07:42,228
Controlled energy is valuable here,
because you need to be engaging
146
00:07:42,896 --> 00:07:44,497
without slipping into melodrama.
147
00:07:45,532 --> 00:07:45,799
There is
148
00:07:46,833 --> 00:07:47,534
a level of sincerity,
149
00:07:48,735 --> 00:07:52,305
I think that the actor really needs to
Embrace.
150
00:07:53,540 --> 00:07:56,476
It's just very open, it's very upfront.
151
00:07:57,310 --> 00:07:59,779
And we just don't want to think in
terms of being overly
152
00:08:00,914 --> 00:08:01,915
melodramatic.
153
00:08:03,383 --> 00:08:06,386
As far as cassing is concerned, I think
focus on liability.
154
00:08:07,387 --> 00:08:12,592
I can tell you that casting directors,
they want to root for you the way the
155
00:08:12,759 --> 00:08:14,94
audience will.
156
00:08:14,828 --> 00:08:17,464
So you're not necessarily a victim,
vict victim.
157
00:08:17,864 --> 00:08:20,800
You're not necessarily a victim of
circumstance.
158
00:08:21,401 --> 00:08:27,374
But you are making an honest appraisal
of each and every moment as it happens.
159
00:08:28,675 --> 00:08:32,45
Now you might not have thought about
this, but dress choices can be really
160
00:08:32,178 --> 00:08:35,849
valuable for the actor, especially in
an audition environment.
161
00:08:36,516 --> 00:08:37,217
It's got to be casual
162
00:08:38,518 --> 00:08:40,787
but polished clothing
163
00:08:41,321 --> 00:08:44,958
that reflects the grounded yet
accessible tone of these films.
164
00:08:46,426 --> 00:08:49,295
Now some onset acting tools, keep it
simple,
165
00:08:49,696 --> 00:08:50,196
play the situation,
166
00:08:51,398 --> 00:08:53,466
not layers of the back story.
167
00:08:54,501 --> 00:08:57,103
Be ready to adjust tone quickly.
168
00:08:57,937 --> 00:09:01,608
You see, directors will often fine tune
energy levels
169
00:09:01,941 --> 00:09:03,209
scene by scene.
170
00:09:04,177 --> 00:09:08,581
Here's another great tip, and I think
this is really valuable here.
171
00:09:09,149 --> 00:09:12,152
As to listen generously.
172
00:09:12,986 --> 00:09:15,388
You see these films thrive on
connection.
173
00:09:15,789 --> 00:09:19,192
So your best moments come from reacting
174
00:09:19,526 --> 00:09:20,627
authentically.
175
00:09:21,861 --> 00:09:23,797
Pace and rhythm, stay sharp and
responsive.
176
00:09:24,330 --> 00:09:24,731
Ram combanter
177
00:09:25,865 --> 00:09:27,33
is musical
178
00:09:27,534 --> 00:09:28,802
in its timing.
179
00:09:29,769 --> 00:09:33,940
That's why I think a lot of times
musical theater performers do very,
180
00:09:34,174 --> 00:09:39,312
very well when they audition, because
they have the energy and the approach
181
00:09:39,612 --> 00:09:40,113
for that authentic
182
00:09:41,381 --> 00:09:43,750
yet energized characterization.
183
00:09:45,151 --> 00:09:47,187
So we're going to talk about mindset
184
00:09:47,721 --> 00:09:48,788
for success
185
00:09:49,222 --> 00:09:50,123
when doing your homework.
186
00:09:50,824 --> 00:09:51,324
Ram com.
187
00:09:51,958 --> 00:09:52,792
Right after this,
188
00:09:55,628 --> 00:09:56,363
welcome back to casting.
189
00:09:56,496 --> 00:09:57,163
Actress cast.
190
00:09:57,397 --> 00:10:00,900
We're just talking about the Ram calm
and hallmark movies.
191
00:10:01,301 --> 00:10:05,772
And now we're going to talk about
mindset for success in this genre.
192
00:10:06,406 --> 00:10:06,873
First,
193
00:10:07,474 --> 00:10:10,543
I think this is valuable don't
underestimate the craft
194
00:10:11,478 --> 00:10:11,878
light comedy.
195
00:10:13,146 --> 00:10:14,414
It really requires precision.
196
00:10:15,448 --> 00:10:16,649
It requires that discipline,
197
00:10:18,118 --> 00:10:21,454
and it requires some mental acuity.
198
00:10:22,989 --> 00:10:25,558
Because you have to remember a couple
of things.
199
00:10:25,625 --> 00:10:27,827
One is the audience expectation.
200
00:10:28,595 --> 00:10:30,864
The audience is expecting some level of
comfort
201
00:10:31,231 --> 00:10:32,165
in your portrayal,
202
00:10:32,732 --> 00:10:33,566
some kind of joy.
203
00:10:33,800 --> 00:10:36,536
But most importantly, is relatability.
204
00:10:37,370 --> 00:10:38,571
Can they relate
205
00:10:38,972 --> 00:10:39,806
to your character?
206
00:10:40,573 --> 00:10:41,441
Find those
207
00:10:42,108 --> 00:10:47,280
moments where your character is
something that becomes universally identifiable?
208
00:10:48,648 --> 00:10:51,317
The other suggestion is to approach
with confidence and charm.
209
00:10:52,752 --> 00:10:58,24
This is really much more about making
people feel good while believing your
210
00:10:58,191 --> 00:10:59,359
character's journey.
211
00:11:00,994 --> 00:11:01,594
All right,
212
00:11:02,262 --> 00:11:04,130
the hallmarks of roundcomacting,
213
00:11:04,898 --> 00:11:08,568
as we wrap up to day's episode,
remember this, romantic comedies in
214
00:11:08,568 --> 00:11:09,536
hallmark style, films
215
00:11:10,570 --> 00:11:11,404
they're not easier.
216
00:11:13,373 --> 00:11:13,873
they're different.
217
00:11:14,274 --> 00:11:14,874
Acting.
218
00:11:15,308 --> 00:11:19,379
The style is lighter, the tone is
brighter, and the audience expectation
219
00:11:20,680 --> 00:11:21,448
is comfort
220
00:11:22,115 --> 00:11:23,49
and connection.
221
00:11:24,184 --> 00:11:27,987
But listen to pull that off takes real
craft.
222
00:11:29,456 --> 00:11:30,123
So let's recap.
223
00:11:30,490 --> 00:11:31,524
Here are the essentials.
224
00:11:32,25 --> 00:11:33,426
Understand the genre.
225
00:11:34,27 --> 00:11:35,862
Optimism, charm and resolution.
226
00:11:37,130 --> 00:11:38,231
They are the heartbeat.
227
00:11:38,898 --> 00:11:40,367
Don't forget to adjust your style.
228
00:11:40,734 --> 00:11:42,35
Truthful, but light.
229
00:11:42,569 --> 00:11:46,406
Play humor and warmth without heavy
dramatic weight
230
00:11:47,374 --> 00:11:48,641
audition, smartly
231
00:11:49,309 --> 00:11:49,943
show like ability,
232
00:11:51,77 --> 00:11:54,547
controlled energy and moments of charm.
233
00:11:55,382 --> 00:11:57,450
And then when you're on the set, keep
it simple.
234
00:11:58,184 --> 00:11:58,651
Listen generously
235
00:11:59,953 --> 00:12:02,255
and nail the pacing.
236
00:12:03,857 --> 00:12:09,429
My mindset, when I think about casting
romantic comedies or hallmark movies,
237
00:12:10,196 --> 00:12:11,197
is confidence,
238
00:12:11,998 --> 00:12:12,966
joy
239
00:12:13,700 --> 00:12:13,867
and connection.
240
00:12:15,1 --> 00:12:19,706
When I see those ingredients in an
actor's audition, they become the
241
00:12:19,706 --> 00:12:21,608
actor's greatest tools.
242
00:12:22,509 --> 00:12:23,843
I hope that that makes sense.
243
00:12:24,811 --> 00:12:27,47
So here's your actor homework?
244
00:12:27,480 --> 00:12:27,647
Yep.
245
00:12:27,714 --> 00:12:29,215
I'm going to give you homework on this
episode.
246
00:12:30,817 --> 00:12:35,221
Grab a scene from a hallmark script or
any light, romantic comedy.
247
00:12:35,789 --> 00:12:38,224
I won't want you to perform it twice.
248
00:12:39,159 --> 00:12:41,294
First play it as if it were a drama,
249
00:12:42,195 --> 00:12:46,733
then perform it again, focusing on
lightness, charm and chemistry.
250
00:12:47,467 --> 00:12:49,436
Notice the difference in energy.
251
00:12:50,36 --> 00:12:52,5
Notice the difference in rhythm,
252
00:12:52,839 --> 00:12:59,346
and how much more watchable it becomes
when you lean into that Ram, gam style,
253
00:13:00,513 --> 00:13:03,216
when you can toggle between those
approaches,
254
00:13:03,783 --> 00:13:09,756
you'll be ready to book in this genre,
and you'll be able to shine once you're onset.
255
00:13:11,391 --> 00:13:13,626
Hey, listen, I hope that this has been
helpful to you.
256
00:13:13,626 --> 00:13:15,195
It's been a joy bringing it to you.
257
00:13:15,929 --> 00:13:17,697
Don't forget to check out casting
actors cast.
258
00:13:18,31 --> 00:13:22,68
Caste, I'm Jeffrey Dreisbach, and we'll
see you on the next episode.