The 2022 Tony Awards nominations are OUT and all of us theatre stans are getting excited for the annual ceremony on June 12th (finally back at Radio City Music Hall)! But not only are Tony Nominees up for discussion, but Mason also discusses his recent trip to the Windy City to see Winnie the Pooh and Moulin Rouge!.. Read More
From the show: Real Talk with Mason Bray
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The 2022 Tony Awards nominations are OUT and all of us theatre stans are getting excited for the annual ceremony on June 12th (finally back at Radio City Music Hall)! But not only are Tony Nominees up for discussion, but Mason also discusses his recent trip to the Windy City to see Winnie the Pooh and Moulin Rouge!
See a full list of Tony Nominations at tonyawards.com!
Check out more from Winnie the Pooh:
Instagram - @WinniethePoohshow
Twitter - @WinniethePooh
TikTok - @winniethepoohshow
Facebook - Winnie the Pooh Show
See future cities for Moulin Rouge:
Instagram - @moulinrougebway
Twitter - @MoulinRougeBway
TikTok - @moulinrougebway
Facebook - Moulin Rouge!
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Check out my socials:
Instagram - @_RealTalk_Pod
Twitter - @_RealTalk_Pod
TikTok - @realtalkpodcast
Website - realtalkmasonbray.com
Facebook - Real Talk with Mason Bray
Transcript
This transcript was automatically generated and might contain errors.
[0:00] Mason Bray: Welcome back to Real Talk with me, Mason Bray.
[0:02] Mason Bray: Uh, you probably haven't heard that intro in a long time because I haven't done it for my interviews, and we've been packed with them for the past three months.
[0:10] Mason Bray: We haven't had this type of sit down and chat episode that I miss.
[0:15] Mason Bray: I hope that you guys miss it somewhat. I know that um the interviews are fascinating, and I hope that I can have more coming soon that you all will enjoy.
[0:24] Mason Bray: But we have a few things to talk about.
[0:26] Mason Bray: So, first of all, Tony nominations are out.
[0:29] Mason Bray: So, let me go through scenic design.
[0:32] Mason Bray: We have a few people from um Real Talk represented in the Tony Award nominations, which is fantastic.
[0:39] Mason Bray: Um, I'm so glad to see people that I know.
[0:42] Mason Bray: Um, like Scott Pask for American Buffalo, his scenic design is nominated um for a Tony Award.
[0:48] Mason Bray: And then scrolling down a little bit, we also have Bradley King nominated for Best Lighting Design of a Musical for Flying Over Sunset.
[0:57] Mason Bray: But best costume design for a musical.
[0:59] Mason Bray: We're gonna start off this episode with a hot take.
[1:01] Mason Bray: Diana's costumes and costume changes are stunning.
[1:06] Mason Bray: Like so beautiful, definitely award-worthy, but the designer, um why do we keep supporting him?
[1:16] Mason Bray: Uh if you don't know what I'm talking about, please research.
[1:19] Mason Bray: And maybe that should go to like his associates on the project and not necessarily him, because he has enough Tony Awards.
[1:26] Mason Bray: Um I don't think we should support that type of person in this age of theater and some of the stories that are even being told in this season.
[1:35] Mason Bray: But moving on from that, best sound design for a play, Dana H needs the Tony Award.
[1:42] Mason Bray: It needs it.
[1:43] Mason Bray: And yes, it is produced by Dory Berenstein and other people from the Broadway Podcast Network, but I think that that show was fascinating from the moment that the idea came up.
[1:52] Mason Bray: And just putting this out there, I have not seen any of these shows, but it's fine.
[1:59] Mason Bray: Um I can give my opinion because.
[2:01] Mason Bray: Uh-huh.
[2:03] Mason Bray: Best book for a musical.
[2:05] Mason Bray: I think this is gonna be one of the hard ones.
[2:08] Mason Bray: It's gonna be MJ versus Strange Loop in my mind, but I think Strange Loop might come out on top.
[2:14] Mason Bray: I have like a full document of like all of my predictions.
[2:17] Mason Bray: Let me know if you want to see it.
[2:18] Mason Bray: It's probably not gonna be right.
[2:19] Mason Bray: Best original score written for the theater.
[2:22] Mason Bray: Um six the musical.
[2:24] Mason Bray: If anyone knows me, I have beef with six.
[2:28] Mason Bray: But for the stupidest reason ever.
[2:30] Mason Bray: Because Waitress was at the Brooks Atkinson and then Six was there.
[2:32] Mason Bray: So I automatically blame that on Six, but I need to listen to it and take the time to um listen to it because it's really good.
[2:42] Mason Bray: Uh there's some that I don't have opinions on, like feature roles.
[2:45] Mason Bray: Since I haven't seen them perform, I haven't been able to understand their approach to it.
[2:51] Mason Bray: But I know that Jared Grimes and Funny Girl is iconic.
[2:55] Mason Bray: My boss was talking about that and how amazing he is at Tap.
[2:59] Mason Bray: But yeah, I think I would love to see him win a Tony Award for Funny Girl.
[3:03] Mason Bray: And that's also I believe that is the only Tony Award that Funny Girl is um nominated for, which is insane.
[3:10] Mason Bray: And going deeper into that, um, I think people went to the show expecting to see Barbara Streisand.
[3:16] Mason Bray: And they didn't understand that Beanie Feldstein is not Barbara Streisand, and they are having a hard time accepting that because from what I've heard, it's a phenomenal show.
[3:26] Mason Bray: Design wise, choreography-wise, all of that kind of stuff.
[3:30] Mason Bray: And it's been snubbed from so many of these awards, which I think it would probably be up in the running, if not win, um Best Choreography, but we'll get to that.
[3:40] Mason Bray: Featured actress in a musical.
[3:42] Mason Bray: I'd love to say Patty Lapone, but she has enough she has enough Tony Awards.
[3:47] Mason Bray: Let's share the wealth.
[3:49] Mason Bray: So the share the wealth card.
[3:50] Mason Bray: Jennifer Timard, I think Company would be a great choice.
[3:55] Mason Bray: L.
[3:55] Mason Bray: Morgan Lee for A Strange Loop.
[3:57] Mason Bray: Uh Shoshana Bean for Mr.
[3:59] Mason Bray: Saturday Night.
[4:00] Mason Bray: I saw a tweet that was like, she deserves the Tony Awards for carrying that show on their back.
[4:04] Mason Bray: And I don't even know anything about that show.
[4:06] Mason Bray: But take that as you will.
[4:07] Mason Bray: It's hard with plays because for musicals you get cast recordings and all that kind of stuff.
[4:12] Mason Bray: But I have no clue for these plays.
[4:14] Mason Bray: So um I know that Miles Frost deserves the Tony Award for Best Actor in a leading role in a musical.
[4:21] Mason Bray: I know that he deserves that from what I've seen, what I've heard about the show, the reviews, fantastic.
[4:28] Mason Bray: And then for color girls who have considered Suicide Win The Rainbow Isn't enough.
[4:32] Mason Bray: I know that there is an ad in my podcast for this show and like a partnership with the Broadway Podcast Network.
[4:38] Mason Bray: And I think that this direction of this play has been really moving to people um all over theater Twitter and all over theater in general, and I would love to see it win that award.
[4:48] Mason Bray: Um, because the photos look so moving and um meaningful.
[4:53] Mason Bray: And then Best Best Direction of a Musical, Strange Loop.
[4:56] Mason Bray: I think I am so glad that it's nominated for so many awards, and I think that it deserves every single one of them.
[5:02] Mason Bray: But there is so many good shows this year.
[5:04] Mason Bray: Like scenic design is a hard category this year.
[5:08] Mason Bray: We didn't get to talk much about that.
[5:09] Mason Bray: But for play, not biased, but American Buffalo, the detail in that set is phenomenal.
[5:16] Mason Bray: And scenic design for musical, I think it's between three.
[5:20] Mason Bray: Uh, Company, Strange Loop, and MJ.
[5:23] Mason Bray: I would love to see any of those win.
[5:26] Mason Bray: Best orchestrations.
[5:28] Mason Bray: See, um, maybe six or MJ.
[5:32] Mason Bray: I think one of those two.
[5:34] Mason Bray: But also, Charlie Rosen, um, I interviewed you at the Tony Awards last year.
[5:38] Mason Bray: It was fantastic meeting you.
[5:39] Mason Bray: I would love to see him win again for Strange Loop.
[5:42] Mason Bray: Best choreography, MJ.
[5:44] Mason Bray: Best Revival of Musical, Company.
[5:46] Mason Bray: But there's only three nominees.
[5:48] Mason Bray: That is not full.
[5:49] Mason Bray: Where's Funny Girl?
[5:51] Mason Bray: First of all.
[5:52] Mason Bray: It was open on time.
[5:54] Mason Bray: I know that for sure.
[5:55] Mason Bray: Where is she?
[5:56] Mason Bray: Where's Funny Girl?
[5:57] Mason Bray: And then I don't have any opinions on Best Play because I haven't seen any of them.
[6:01] Mason Bray: And then Best Musical.
[6:03] Mason Bray: Okay.
[6:05] Mason Bray: It's down to three.
[6:07] Mason Bray: The three that I think it could be are MJ, Six the Musical, and A Strange Loop.
[6:14] Mason Bray: Any of those three I think would be fantastic wins.
[6:18] Mason Bray: And honestly, great representation that we didn't see last year in September.
[6:23] Mason Bray: And I would love to have those people come through the press room.
[6:26] Mason Bray: And I hope that I get to be there again.
[6:28] Mason Bray: But moving on to my next topic.
[6:30] Mason Bray: I went to Chicago this past weekend and saw two beautiful shows.
[6:36] Mason Bray: One was Winnie the Pooh, one of the cutest, most adorable shows I've ever seen.
[6:43] Mason Bray: I was sad that we didn't get playbills for it.
[6:45] Mason Bray: Um, and I didn't have the money on top of the Pooh Bear to get one of the memorabilia books.
[6:52] Mason Bray: But that show, it was obviously geared towards the little ones in the audience or people who connected more to um the story, but I was so glad that I could see that show because it the set from the moment that you walk in with the carrot spelled out K-E-R-I-T-S.
[7:10] Mason Bray: Beautiful.
[7:11] Mason Bray: I loved it.
[7:12] Mason Bray: And watching the kids' faces win the leaves fell, when it turned to fall, and then the snow.
[7:17] Mason Bray: It was the cutest thing ever.
[7:19] Mason Bray: And I will never get over that.
[7:21] Mason Bray: So it was my first two show day, and you might be asking, Mason, what was your second show of the day?
[7:26] Mason Bray: Let me tell you.
[7:27] Mason Bray: Moulin Rouge.
[7:30] Mason Bray: Oh my god.
[7:33] Mason Bray: That was one of the best shows that I have ever seen, hands down.
[7:39] Mason Bray: And everyone has been telling me, Mason, it's not it's not a good show, it's just like a spectacle.
[7:45] Mason Bray: Yeah, that's really all that shows need to be sometimes.
[7:48] Mason Bray: And it is a good story.
[7:50] Mason Bray: It is a good story.
[7:51] Mason Bray: And I saw it on tour on the 30th in Chicago, but that didn't diminish the quality of the performance.
[7:58] Mason Bray: Like Connor and Courtney were the greatest couple ever.
[8:03] Mason Bray: Their voices are so beautiful, and I want to listen to Connor do the opt-up and Roxanne every single day of my entire life.
[8:11] Mason Bray: Not even joking.
[8:12] Mason Bray: Because he did it.
[8:13] Mason Bray: And mom, if you're listening to this, I'm so sorry.
[8:16] Mason Bray: I slapped my mother.
[8:18] Mason Bray: I like whispered, I was like, is he gonna do it?
[8:19] Mason Bray: Is he gonna do it?
[8:20] Mason Bray: Is he gonna do it?
[8:21] Mason Bray: And then I slapped my mom when he did it.
[8:24] Mason Bray: Um it's fine.
[8:26] Mason Bray: And then I met them after the show, and they are the sweetest people ever.
[8:30] Mason Bray: Like I will never get over Moulin Rouge.
[8:32] Mason Bray: And I emailed the lighting designer this week, just like out of nowhere, and I was like, how how?
[8:39] Mason Bray: Um, and then how many light cues are there in the show?
[8:42] Mason Bray: And he said that there were over a thousand light cues, and me as a lighting person, that's insane.
[8:50] Mason Bray: Insane.
[8:51] Mason Bray: But the lighting has left an impact over a week later, and I have not stopped thinking about it.
[8:58] Mason Bray: Like it tells such a story that I can only hope to be able to tell one day.
[9:04] Mason Bray: Which is amazing.
[9:06] Mason Bray: Uh the choreography, Sonia Taya really outdid herself on both Broadway and on tour to translate this beautiful story into beautiful dance.
[9:17] Mason Bray: And I know people are like, but it's not the movie.
[9:20] Mason Bray: The movie is amazing.
[9:22] Mason Bray: Uh small confession, I have not seen the movie, but I still thought the show was splendid, fabulous, fantastic.
[9:31] Mason Bray: Any adjective that you can think of to describe a show, it was that.
[9:36] Mason Bray: I could talk about Melan Rouge for days, and I quite literally have.
[9:41] Mason Bray: It's fine.
[9:42] Mason Bray: Everything everything's fine.
[9:45] Mason Bray: I was talking about that with Eli.
[9:46] Mason Bray: If you listen to that episode, everything is fine.
[9:50] Mason Bray: But yeah, that's the things that I wanted to come on and talk about because I didn't just want to post this all on my Instagram story or like on Twitter, even though I have already posted this on Twitter.
[9:59] Mason Bray: I wanted to get to sit down and talk with you guys since I didn't have an interview this week.
[10:03] Mason Bray: I wanted to connect with you as much as possible.
[10:06] Mason Bray: So thank you so much for being here.
[10:08] Mason Bray: Thank you so much for listening.
[10:10] Mason Bray: Thank you.
[10:10] Mason Bray: The support and the love that I've been feeling on Twitter, on Instagram is the greatest thing ever.
[10:16] Mason Bray: Thank you so much for being here.
[10:18] Mason Bray: Um and I hope that you will continue to join me throughout the rest of season seven.
[10:23] Mason Bray: We are a few weeks from the end, but I'll hope to see you back in season eight in just a few months.
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