All Episodes
#37 - Ben Wright, the Original Jack
Ben Wright confesses how he struggled with the high notes and explains why he had thought Betty Buckley wasn't taken to Broadway. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods.
#36 - Steve Saklad, Assistant to the Set Designer
Steve Saklad shares his experience assisting Set Designer Tony Straiges, with fascinating tidbits on color and light and Rapunzel's tower. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods.
#35 - Nancy Dussault, Replacement Witch
Nancy Dussault opens up about her work with Stephen Sondheim and other legends across a career that straddles several eras from following Mary Martin in the original Sound of Music to following Bernadette Peters in Into The Woods.
#34 - Joshua Ellis, Broadway Press Agent
Joshua Ellis shares the secret to good press photos and confesses to his nightmare typo in the opening night Playbill. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods.
#33 - Colleen Fitzpatrick, Broadway Understudy
Colleen Fitzpatrick shares why Sondheim is like Mozart and how Paul Gemignani graded all singers on a scale of A to F. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods.
#32 - Stephen Dolginoff, Jack in James Lapine's Blocking Exercises
Stephen Dolginoff "played" Jack at the Westbeth Theater so James Lapine could experiment with staging ideas before starting rehearsals for the Old Globe premiere and he remembers every moment of this seminal experience from his time studying theater at NYU.
#31 - Terry Burrell, Original Understudy and Replacement Lucinda
Terry Burrell talks about her trepidations over "non-traditional casting" when she got the offer to understudy both stepsisters, how proud she was when Phylicia Rashad took over as the Witch (and later when Vanessa Williams starred in the revival).
#30 - Maureen Moore, the Witch on the Demos
Maureen Moore makes light of having to memorize "Boom Crunch" in order to keep up with her more musically literate costars on the demo recording and even how she had to quit Falsettos to convince to producers to let her out for Sondheim: A Celebration at Carnegie Hall.
#29 - John Bell, Sondheim's Intern at the Old Globe
As Sondheim's intern at the Old Globe, John Bell has fascinating insights into the lesbian subtext between the Witch and Rapunzel, why Ellen Foley was really replaced, and when Bernadette Peters first saw the show.
#28 - Johnna Murray, the Original Stage Manager
Original Broadway Stage Manager Johnna Murray was in the trenches from the earliest readings and workshops and still has the scripts and scores to prove it, finally filling in some big holes about who did what and when!
#27 - Pamela Winslow Kashani, the original Rapunzel
Original Broadway Rapunzel Pamela Winslow Kashani shares how she came up with the idea to sing the "ah-ah-ah-ah-ah-ah-ah-ah-ah" obligado up the octave. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods.
#26 - Burke Moses, the Prince in the Final Workshop
For the first time ever, Burke Moses tells his harrowing (and hilarious) tale of getting hired for--and then promptly fired from--the original production of Into the Woods, just weeks before it was set to begin its Broadway production.
#25 - Mary Gordon Murray, the Baker's Wife on Tour and Broadway Replacement
Mary Gordon Murray muses on the challenges of following in Joanna Gleason's footsteps and offers some insight into how the failure to move to Broadway by James Lapine's 1985 La Jolla Playhouse Merrily We Roll Along led to the birth of Into the Woods.
#24 - Philip Hoffman, the Original Steward and Understudy
Philip Hoffman gives the inside scoop on Joanna Gleason's Baker's Wife backstory and what Betty Buckley was like as the Witch. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods.
#23 - Betsy Joslyn, Replacement Witch on Broadway and on Tour
Betsy Joslyn has played more performances as the Witch in Into the Woods than anyone else in history. She opens up about how she got there and why Bernadette Peters was so amazing to stand by for. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods.
#22 - Scott Frankel, Assistant Conductor on Broadway
Tony nominated composer Scott Frankel dishes on Betty Buckley's arriving late and James Lapine's playing favorites--not to mention testy reed players--from his time on the final workshop and original Broadway productions.
#21 - Carolyn Marlow, Understudy in the Original Cast and Final Workshop
Original understudy Carolyn Marlow spills the TEA on what it was like to go on with Chip Zien, why she thinks Betty Buckley didn't make it to Broadway, and who her favorite replacement Witch was. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods.
#20 - Michael David, the Original Producer
Producer Michael David talks candidly about how the upside of Sondheim's art is the downside of the commercial theater and explains why Into the Woods was given one more final workshop on the eve of Broadway rehearsals.
#19 - Ellen Foley, the Witch at the Old Globe
Ellen Foley opens up about why she thinks she was replaced as the Witch when Into the Woods opened on Broadway and how the show had changed by the time she joined its final company. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods.
#18 - Lar Lubovitch, the Original Choreographer
Choreographer Lar Lubovitch explains why his credit on Into the Woods was "Musical Staging by" and offers a vivid description of Betty Buckley's powerful performance as the Witch in the final workshop.
#17 - John Cameron Mitchell, Jack on the Demo Tracks
John Cameron Mitchell gives a rare deep dive into his career in musical theater before Hedwig, including his gig recording Into the Woods demos for an aborted CD-ROM project and auditioning for James Lapine.
#16 - Lauren Mitchell, the Original Lucinda
Lauren Mitchell lets us in on what it was like producing two different revivals of the show she originally acted in and why returning to the stage in the City Center Encores production didn't whet her appetite to perform more.
#15 - Chuck Wagner, the Original Rapunzel's Prince
Chuck Wagner chats about what he turned down to create the role of Rapunzel’s Prince and why he was unavailable for the pre-Broadway workshop. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods.
#14 - Joy Franz, the Original Stepmother
Broadway veteran Joy Franz explains where the Stepmother's song was supposed to happen and gives the gory details on the development of fan favorite moments like her stabbing her daughter's prosthetic heel.
#13 - Kim Crosby & Robert Westenberg, the Original Cinderella and Cinderella's Prince/The Wolf
Married couple Kim Crosby and Robert Westenberg tell their real life fairy tale of meeting as actors in Into the Woods, how the show brought them together, and what's it's been like to live as part of its legacy.
#12 - Jeff Blumenkrantz, Rapunzel's Prince in the Pre-Broadway Workshop/Replacement Jack on Broadway
Jeff Blumenkrantz delivers the DISH on Into the Woods, working with Betty Buckley in the final workshop to breaking the news that Burke Moses had originally been cast as a prince. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods.
#11 - Joanna Merlin & John Lyons, the Original Casting Directors
Joanna Merlin and John Lyons reunite for the first time in years to talk about the challenges of replacing Bernadette Peters and how quickly old fashioned gatekeepers got over their preconceived notions about "non-traditional casting" when television star Phylicia Rashad triumphed on Broadway.
#10 - Paul Ford, the Original Pianist
Paul Ford spills the tea on everything from the songs that that got away to the auditioned stars who didn't make the cut. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods.
#9 - Ann Hould-Ward, the Original Costume Designer
Ann Hould-Ward offers a fascinating peak into her process designing the iconic costumes for Into the Woods, from the Witch's transformation to her many attempts to get the Wolf's genitals just right.
#8 - Jack O'Brien, Artistic Director of the Old Globe where Into the Woods was produced before Broadway
Jack O'Brien shares his decades long love of Into the Woods, from his initial excitement about producing the out of town tryout to the moment early on he decided not to give any more notes. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods.
#7 - Christine Estabrook, the Baker's Wife in the First Reading at Playwrights Horizons
Christine Estabrook breaks the news on her casting in the first reading of Into the Woods at Playwrights Horizons and how strange it was to be a non-singer starring in a new musical. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods.
#6 - Howard McGillin, Cinderella's Prince and the Wolf in the Playwrights Horizons Workshop
Howard McGillin gives the scoop on his casting in the Playwrights Horizons workshop of Into the Woods, what it was like to hear Sondheim sing his song, why he didn't do the show on Broadway and how the Master never let him forget it.
#5 - Joanna Gleason, the Original Baker's Wife
Joanna Gleason opens up about her star-making role, discussing her legendary audition when she didn't have an uptempo ("I said no, I don't, but I can sing this one really, really fast.") and the good luck omen that blew into her car window during the pre-Broadway run in San Diego.
#4 - Ira Weitzman, the Original Dramaturg
Ira Weitzman gets into the weeds with Into the Woods, from giving Sondheim a pep talk to tricking Lapine into casting Chip Zien, he lays out every step of the process turning a sketchy draft of the book at Playwrights Horizons into a full-fledged Broadway musical.
#3 - Danielle Ferland, the Original Little Red Riding Hood
Danielle Ferland dives into the dilemma of balancing Broadway roles with middle school and how Bernadette Peters does not run around naked backstage. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods.
#2 - Chip Zien, the Original Baker
Chip Zien charts his journey Into the Woods from James Lapine's dissatisfaction with his performance as a prince in the first reading to the night late in the Broadway run, he walked in on Stephen Sondheim all alone and crying in his darkened dressing room.
#1 - James Lapine, the Bookwriter and Original Director
James Lapine lets us into the origins of Into the Woods, from his very first conversations with Sondheim to Patti LuPone's audition for Cinderella, and ultimately the Broadway triumph and why it was important for him to direct the broadcast cameras rather than delegating the filming of the show to the director of the Golden Girls, as had been done for Sunday in the Park with George.
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